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    Pat Metheny - New Chautauqua (1979) 24-Bit/96-kHz Vinyl Rip

    Posted By: nettz
    Pat Metheny - New Chautauqua (1979) 24-Bit/96-kHz Vinyl Rip

    Pat Metheny - New Chautauqua (1979) 24-Bit/96-kHz Vinyl Rip

    Pat Metheny - New Chautauqua
    Vinyl Rip in 24-Bit/96-kHz | FLAC tracks | no cue | no log | Covers | MU, FF, RS | 712 MB 3% recovery
    1979 | Genre: Jazz-fusion | Label: ECM | ECM-1-1131 | US pressing | Vinyl: NM

    Pat Metheny - New Chautauqua (1979) 24-Bit/96-kHz Vinyl Rip

    When Pat Metheny's New Chautauqua first appeared in 1979, it was his third album for ECM, and was greeted mainly on the strength of its title track, a euphoric, uptempo, multi-layered guitar and bass folk dance. His previous two outings for the label, Bright Size Life and Watercolors, showcased him in the company of other musicians: on the former with Bob Moses and Jaco Pastorius, on the latter with Lyle Mays, Danny Gottlieb, and Eberhard Weber. They'd both received critical acclaim and sold well in college towns across the United States and Europe. But this volume was his first true solo recording in that he played all the guitars and basses on the set. As wonderfully indicative of Metheny's signature as this title cut was, the rest of the date was a complete shock to fans. It's very sparse, spacious, and quietly contemplative. Produced by Manfred Eicher, New Chautauqua was, at the time, far more indicative of ECM's sound than it was the guitarist's. In 21st century retrospect, this first impression proves to be a mistake. Reconsidering the album upon its re-release in 2008 as part of the label's budget Touchstone series, it sounds more an extension of Metheny's complex, wide-ranging musical personality than anything else. His great debt to guitarists from Jim Hall to Pat Martino on the title cut and on "Daybreak," the closer, is balanced only by his impressionistic melodic sensibility that is informed as much by Paul Bley and Jimmy Giuffre ("Long Ago Child/Fallen Star") and latter day-John Lennon and Paul McCartney ("Hermitage") as it is by his mentor, Gary Burton ("Sueno con Mexico"). This is a very gentle and contemplative recording, but there is so much happening in the weave of six-, 12- and 15-string harp guitars and basses, it's easy to let it slip by in a dreamy reverie. If any of Metheny's early recordings deserves reconsideration, a real argument can be made for the skeletal, yet utterly beautiful New Chautauqua.
    (Thom Jurek - AllMusic Guide)

    Track Listing:

    A1. New Chautauqua
    A2. Country Poem
    A3. Long Ago Child/Fallen Star
    B1. Hermitage
    B2. Sueño con México
    B3. Daybreak


    Turntable: Roksan Radius III
    Tonearm: Audioquest PT-9
    Cartridge: Ortofon X5-MC (Moving Coil)
    Phono Cable: Van den Hul D-502 Hybrid
    Pre-amplifier: Counterpoint SA 5.1 (vacuum tube Sovtek 6922)
    Interconnect: balanced, Belden 1813A cable with Neutrik XLR connectors
    Analog to Digital Converter: EMU 1212M (configured for balanced input +4dBu, 0 dB Gain)
    Capture software: Goldwave 5.52
    Post processing: none.
    Ripping policy: I always rip good condition vinyl so that the amount of click/pop will be almost none



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