Jimmy Buffett – You Had to Be There (1978) 24-bit 96kHZ vinyl rip and redbook
Jimmy Buffett – You Had To Be There
Vinyl rip in 24-bit / 96kHZ and redbook | FLAC | no cue or log (vinyl) | artwork + poster
2.12 GB (24/96) + 594 MB (RB) + 50 MB (artwork) | RS,FF | Gulf & Western | ABC AK-1008/2
Vinyl rip in 24-bit / 96kHZ and redbook | FLAC | no cue or log (vinyl) | artwork + poster
2.12 GB (24/96) + 594 MB (RB) + 50 MB (artwork) | RS,FF | Gulf & Western | ABC AK-1008/2
You Had to Be There: Recorded Live is a live double album by American popular music singer-songwriter Jimmy Buffett. It was initially released in October 1978 as ABC AK-1008/2 and later re-released on ABC’s successor label MCA.
It is the first of Buffett’s many live albums and his tenth album overall. The album’s material was culled from several concerts at Fox Theatre in Atlanta, Georgia and Maurice Gusman Cultural Center in Miami, Florida in August 1978 and was remixed by Elliot Scheiner at AIR Studios in London. You Had to Be There reached #72 on the Billboard 200 album chart and #29 on the Billboard Top Country Albums chart. The album was also certified “Gold” by the RIAA. The album featured many of Buffett’s concert favorites as well as three new songs that have not appeared on any other Buffett album: “Perrier Blues,” “Morris’ Nightmare,” and the instrumental “Dixie Diner” (a cover originally by Larry Raspberry & the Highsteppers).
The album was heavily edited between shows, making the playlist out of order of the actual show. Songs known to have been played but deleted from the final cut are:
Banana Republics
Cheeseburger in Paradise
Coast of Marseilles
The Last Line
Livingston Saturday Night
Mañana
This album is dedicated to anyone in the United States and Canada who has paid
good money to see this show. Thanks for helping me live my life like a song.
There's nothing to this show bidness gig. After twelve years and ten albums I
enjoy remembering some of the moments in the history of Coral Reefer madness
that still make it fun: The morning in San Francisco when I found a chandelier
in Finger's bathroom sink and drug him out of bed to help me rehang the goddamn
thing; the night at Kiawah Island when Harry discovered the new religion of Naked
Hall Meditation; when Jay Spell introduced Martin Mull to braille centerfolds;
when Buttrey polished off a magnum of champagne during a Central Park concert
and finished the evening by attempting to drop-kick his snare drum into the monitor
board; the night Deborah and Fingers did their impression of Ike and Tina Turner
in a Holiday Inn near Billings, Montana; the time Barry decided to redecorate the
interior of a Chrysler Cordoba in Sacramento; the afternoon I decided to take
the bus for a spin near Wrightsville Beach to find some beer; or just
yesterday in London, when they gave all our suites to Gladys Knight and the Pips.
I could go on for hours telling stories but I guess you had to be there.
- Jimmy Buffett wasting away in London. August 30, 1978
Note: To all avid lyric fanatics: you may or may not notice that some verses
and phrases on there records are not the same as the original version. I can
only blame that mishap on an over-indulgence in Mount Gay rum and an
over-abuse of poetic license. Hope you enjoy the new versions. J.B.
good money to see this show. Thanks for helping me live my life like a song.
There's nothing to this show bidness gig. After twelve years and ten albums I
enjoy remembering some of the moments in the history of Coral Reefer madness
that still make it fun: The morning in San Francisco when I found a chandelier
in Finger's bathroom sink and drug him out of bed to help me rehang the goddamn
thing; the night at Kiawah Island when Harry discovered the new religion of Naked
Hall Meditation; when Jay Spell introduced Martin Mull to braille centerfolds;
when Buttrey polished off a magnum of champagne during a Central Park concert
and finished the evening by attempting to drop-kick his snare drum into the monitor
board; the night Deborah and Fingers did their impression of Ike and Tina Turner
in a Holiday Inn near Billings, Montana; the time Barry decided to redecorate the
interior of a Chrysler Cordoba in Sacramento; the afternoon I decided to take
the bus for a spin near Wrightsville Beach to find some beer; or just
yesterday in London, when they gave all our suites to Gladys Knight and the Pips.
I could go on for hours telling stories but I guess you had to be there.
- Jimmy Buffett wasting away in London. August 30, 1978
Note: To all avid lyric fanatics: you may or may not notice that some verses
and phrases on there records are not the same as the original version. I can
only blame that mishap on an over-indulgence in Mount Gay rum and an
over-abuse of poetic license. Hope you enjoy the new versions. J.B.
Jimmy Buffett – You Had to Be There (1978) 24-bit 96kHZ vinyl rip and redbook
Jimmy Buffett – You Had to Be There (1978) 24-bit 96kHZ vinyl rip and redbook
Jimmy Buffett's first live set established the treasure chest of gags and grooves that would make the singer impossibly successful over the next 20-plus years. As an easygoing, '70s-sounding Buffett says at the beginning of "Grapefruit-Juicy Fruit," "I've been wanting to do a live album for (a long time) since that's where we have the best time." And he proves to be a gracious, goofy host, straying into rambling tangents of conversation and storytelling that are at least (if not more) entertaining than the music itself. Musically, "Pencil Thin Moustache" becomes amped-up barroom boogie rock, complete with a honking harmonica. The Coral Reefer Band imbues "Changes in Latitudes, Changes in Attitudes" with the creaking charm of a comfortable deck chair; with Buffett's smiling vocal on top, it sounds better than an open bar tab at a Caribbean beach café. Later, Buffett introduces his biggest hit with some prescient banter. "People ask me, 'Where the hell is "Margaritaville"?'" He suggests that the famed, fictional island might be at the bottom of a Cuervo bottle before saying "It's anywhere you want it to be." And with that, Buffett launches into the song that caused a thousand unplanned sick days. While his big hits sound great, low-key acoustic numbers like "God's Own Drunk" and "Captain and the Kid" show off his songwriting and guitar playing while keeping things light with funny asides. Fans of Buffett's show will recognize You Had to be There as a prototype of his later summertime extravaganzas; for everyone, it's simply an entertaining live album from an era when the concert industry wasn't yet contaminated by greed, gold level seating, and rote performances.
Tracks:
A1 Son Of A Son Of A Sailor
A2 Pencil Thin Mustache
A3 Wonder Why We Ever Go Home
A4 Landfall
A5 Miss You So Badly
B1 Havana Daydreamin'
B2 Margaritaville
B3 Changes In Latitudes, Changes In Attitudes
B4 Come Monday
B5 Perrier Blues
C1 Grapefruit-Juicy Fruit
C2 God's Own Drunk
C3 He Went To Paris
C4 The Captain And The Kid
D1 Why Don't We Get Drunk And Screw
D2 A Pirate Looks At Forty
D3 Tampico Trauma
D4 Morris' Nightmare
D5 Dixie Diner
Personnel
The Coral Reefer Band:
Jimmy Buffett: Vocals, acoustic and Electric guitar
Barry Chance: Guitar
Harry Dailey: Bass
Jay Spell: Piano
Mike Utley: Organ
Kenneth Buttrey: Drums and percussion
Greg "Fingers" Taylor: Harmonica
Deborah McColl: Background Vocals
Jimmy Buffett – You Had to Be There (1978) 24-bit 96kHZ vinyl rip and redbook
–––––––––––––––––––––––––––––––––––––––––––––––
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DR16 -8.30 dB -29.97 dB C3 He Went To Paris.wav
DR14 -6.32 dB -26.96 dB C4 The Captain And The Kid.wav
DR14 -4.74 dB -21.99 dB D1 Why Don't We Get Drunk And Screw.wav
DR15 -4.88 dB -24.14 dB D2 A Pirate Looks At Forty.wav
DR13 -5.37 dB -20.38 dB D3 Tampico Trauma.wav
DR16 -4.87 dB -22.98 dB D4 Morris' Nightmare.wav
DR14 -5.12 dB -21.76 dB D5 Dixie Diner.wav
–––––––––––––––––––––––––––––––––––––––––––––––
Number of files: 19
Official DR value: DR14
==============================================================================================
Analyzed folder: /JimmyBuffetYouHadToBeThere24-bit96khzVinylRip
–––––––––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Filename
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DR13 -5.09 dB -20.16 dB A1 Son Of A Son Of A Sailor.wav
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DR14 -4.37 dB -20.43 dB B3 Changes In Latitudes Changes In Attitudes.wav
DR14 -3.91 dB -20.66 dB B4 Come Monday.wav
DR15 -2.55 dB -19.06 dB B5 Perrier Blues.wav
DR15 -5.67 dB -25.03 dB C1 Grapefruit - Juicy Fruit.wav
DR14 -5.90 dB -24.45 dB C2 God's Own Drunk.wav
DR16 -8.30 dB -29.97 dB C3 He Went To Paris.wav
DR14 -6.32 dB -26.96 dB C4 The Captain And The Kid.wav
DR14 -4.74 dB -21.99 dB D1 Why Don't We Get Drunk And Screw.wav
DR15 -4.88 dB -24.14 dB D2 A Pirate Looks At Forty.wav
DR13 -5.37 dB -20.38 dB D3 Tampico Trauma.wav
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–––––––––––––––––––––––––––––––––––––––––––––––
Number of files: 19
Official DR value: DR14
==============================================================================================
power: Dedicated circuit, Monster HTS1000 PowerCenter
cleaning: Steam clean→ wash → distilled h2O rinse → vacuum → carbon fibre brush → zerostat
hw: Technics SL1100-A w/ AT-OC9ML/II → Pro-Ject Tube Box SE II → E-MU 0404 → MacBook Pro
sw: Audacity [capture 24-bit/96kHZ] → Izotope RX2 [de-click/resample] → Xact [sbe correction] → XLD [flac conversion/tag]
cleaning: Steam clean→ wash → distilled h2O rinse → vacuum → carbon fibre brush → zerostat
hw: Technics SL1100-A w/ AT-OC9ML/II → Pro-Ject Tube Box SE II → E-MU 0404 → MacBook Pro
sw: Audacity [capture 24-bit/96kHZ] → Izotope RX2 [de-click/resample] → Xact [sbe correction] → XLD [flac conversion/tag]
RS RapidSave Package _-*-_ FF link list
RS link messes up when hidden sometimes: https://rapidshare.com/#!rapidsave|C656609418-3892823277
all files interchangeable
password: analog
RS link messes up when hidden sometimes: https://rapidshare.com/#!rapidsave|C656609418-3892823277
all files interchangeable
password: analog
Jimmy Buffett – You Had to Be There (1978) 24-bit 96kHZ vinyl rip and redbook
