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    Slaughter and The Dogs - Do It Dog Style (Decca 1978) 24-bit/96kHz Vinyl Rip

    Posted By: son-of-albion
    Slaughter and The Dogs - Do It Dog Style (Decca 1978) 24-bit/96kHz Vinyl Rip

    Slaughter and The Dogs - Do It Dog Style (1978) plus bonus
    Vinyl rip @ 24/96 | FLAC | Artwork | 1061mb
    Megaupload, Multiupload | Punk | 1978 UK LP | Decca SKL 5292

    Slaughter and The Dogs - Do It Dog Style (Decca 1978) 24-bit/96kHz Vinyl Rip

    Formed during the initial onslaught of U.K. punk in 1976, Manchester's Slaughter and the Dogs were the first group to release a single (the overlooked classic "Cranked Up Really High") on trailblazing hometown independent label Rabid Records. The group's line-up consisted of vocalist Wayne Barrett, guitarist Mick Rossi, bassist Howard Bates, and drummer Mad Muffet. Gigs at the noted London punk mecca the Roxy Club led to the band's inclusion in filmmaker Don Letts' documentary of that scene, and they eventually received a contract from Decca Records. Further top-notch singles followed in "Where Have All the Boot boys Gone" and "Dame to Blame" and they recorded their debut album, Do It Dog Style, in 1978. However, disagreements with Decca and the departure of vocalist Barrett, a key to the group's sound, combined to sabotage a promising career. Steve Huey, allmusic

    Vocalist Wayne Barrett and guitarist Mick Rossi named their band after the two albums they treasured most: David Bowie's Diamond Dogs, and Mick Ronson's Slaughter on 10th Avenue. Both choices summarize this album's light-shade approach. The opening salvo of "Where Have All the Boot Boys Gone?" sounds as hair-raising as ever and rightly remains the band's best-known song, having been credited with inspiring the Oi! punk movement. At heart, though, the Dogs revealed themselves as waggish punk-poppers on "Quick Joey Small" a celebration of criminal bravado, and "You're a Bore," whose outro soars into impossibly pure ear candy. The band proves agreeably diverse on the slower, janglier "Since You Went Away," and a remake of the Velvet Underground's "I'm Waiting for the Man," which crackles with an impatience befitting its addiction-by-attrition theme. Still other tracks, such as "Victims of the Vampire," display a goonish sensibility better suited to a Ramones album. So does the bonus track "Johnny T," whose 90 seconds of power-pub boogie salute the late, combustive New York Dolls guitarist Johnny Thunders. For all its promise, however, the band ended up among punk's here-and-gone stories. A more consistent song writing approach might have lengthened the Dogs' run, though their lack of airs ensured a winning team for a time. Any band cited by the disparate likes of New Order, the Stone Roses and Smiths front man Morrissey surely deserves another look. Ralph Heibutzki, allmusic.

    Track listing:

    01. Where Have All The Boot Boys Gone
    02. Victims of the Vampire
    03. Boston Babies
    04. I’m Waiting For The Man
    05. I’m Mad
    06. Quick Joey Small

    07. You’re A Bore
    08. Keep On Trying
    09. We Don’t Care
    10. Since You Went Away
    11. Who Are The Mystery Girls
    12. Dame To Blame

    Bonus Tracks:

    13. Johnny T
    b-side of ‘Dame To Blame’ Decca F 13743 (1977)
    14. Cranked Up Really High
    15. The Bitch
    Rabid Records TOSH 101 (1977)

    Personnel:

    Wayne Barrett, vocals
    Mike Rossi, guitar
    Zip Bates, bass
    Mad Muffet, drums
    Mick Ronson appears on ‘Quick Joey Small’ and
    ‘Who Are The Mystery Girls’
    1-13 Produced by Nick Tauber
    Recorded at Decca Studios.

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