Devoid is the brainchild of French guitarist Shad Mae and features vocalist Carsten ‘Lizard’ Schulz (Evidence One and many other guest vocal spots), keyboardist Jorris Guilbaud, bassist Ben Toquet and drummer Ben Wanders. Joining this core of musicians are guest guitarists Mattias Ia Eklundh (Freak Kitchen), Daniel Palmqvist (Beyond The Katakomb), Magnus Karlsson (Primal Fear) and Henrik Danhage (Evergrey)…

Toronto rock singer Alannah Myles spent several years struggling unsuccessfully to secure a Canadian record deal, so she and songwriting partner Christopher Ward set their sights south of the border. Myles recorded a demo and video for the song "Just One Kiss," which got the attention of several companies and ended up on her self-titled 1989 debut album…

Recorded between 1972 and 1976, The Golden Age of French Organ Music is one of the most comprehensive anthologies ever dedicated to the instrument. On it Andre Isoir surveys music of the seventeenth and eighteenth centuries, a period in which the French organ school matured in the service of the Roman Catholic Church.

After Steve Walsh retired from Kansas back in 2014 many thought that would be it and we’d hear no more from Walsh, luckily this was proven wrong and here we have a new solo album from him. Joining Walsh are Tommy Denander, who co-wrote the majority of the songs on here with Walsh, and FM’s Steve Overland adds backing vocals…

he hourglass is emptying for veteran bands like STRAWBS and their small but ardent following. Each much anticipated release is coddled with the understanding that it may be their last, and a glance at the titles and lyrics of "The Ferryman's Curse" concedes nothing so much as a pious man contemplating his worldly past and his otherworldly future…

Building off of the groundwork they laid on the realm-shattering debut Oracles, FLESHGOD have honed their style and technique, and have crafted a monstrous offering of blazing technical death metal on this EP.

With their debut album Oracles, Italians Fleshgod Apocalypse present a combination of technical death metal interspersed with classical influences. These usually take the form of orchestral/piano passages at the start and end of the songs. Oracles is a solid debut and building point for the Fleshgod Apocalypse. The album will please most tech death and standard death fans. With enough variety to keep them interested for the full 40 minutes, as well as containing enough nuances and memorable parts to warrant decent replay value.

The collaboration between Anne Chris Bakker and Andrew Heath is overwhelmingly informed by both an open, minimal landscape and a love of process, allowing the sounds and music to form as you would unfold a map - each section revealing a new and uncharted vista. Texture and lower case, drifting drones, tones and fragile notes create music that hangs in the air - suspended in time and place…