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    L'Amaltea Instrumental Ensemble, Romano Vettori - Lodovico Viadana: Vespri perl'Assunzione della Beata Vergine (1993)

    Posted By: tirexiss
    L'Amaltea Instrumental Ensemble, Romano Vettori - Lodovico Viadana: Vespri perl'Assunzione della Beata Vergine (1993)

    L'Amaltea Instrumental Ensemble, Romano Vettori - Lodovico Viadana: Vespri perl'Assunzione della Beata Vergine (1993)
    EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 70:40 | 343 MB
    Genre: Classical, Sacred | Label: Fone | Catalog: CD92F08

    Modern scholars began to investigate possible links between polychoral techniques and the practice of spatial positioning of performaers after realizing the extent to which composers in the 1600s were influenced by the architectural spaces they were coposing for, and by the concept of space in terms of an actual physical dimension whose every detail they could explore and relate to.
    Lodovico Grossi da Viadana (usually Lodovico Viadana, though his family name was Grossi; c. 1560 – 2 May 1627) was an Italian composer, teacher, and Franciscan friar of the Order of Friars Minor Observants. He was the first significant figure to make use of the newly developed technique of figured bass, one of the musical devices which was to define the end of the Renaissance and beginning of the Baroque eras in music. He was born in Viadana, a town in the province of Mantua (Italy). According to a document dating from about 150 years after his death, he was a member of the Grossi family but took the name of his birth city, Viadana, when he entered the order of the Minor Observants prior to 1588 (Mompellio 2001). Though there is no contemporary evidence, it has been claimed that he studied with Costanzo Porta (Mompellio 2001), becoming choirmaster at the cathedral in Mantua by 1594. In 1597 he went to Rome, and in 1602 he became choirmaster at the cathedral of San Luca in Mantua. He held a succession of posts at various cathedrals in Italy, including Concordia (near Venice), and Fano, on the east coast of Italy, where he was maestro di cappella from 1610 to 1612 (Mompellio 2001). For three years, from 1614 to 1617, he held a position in his religious order which covered the entire province of Bologna (including Ferrara, Mantua and Piacenza).

    L'Amaltea Instrumental Ensemble, Romano Vettori - Lodovico Viadana: Vespri perl'Assunzione della Beata Vergine (1993)

    Track List:

    01. Toccata Prima
    02. Deus In Adjutorium/Domine Ad Adjuvandum
    03. Assumpta Est Maria In Coelum
    04. Dixit Dominus
    05. Assumpta Est Maria In Coelum
    06. Maria Virgo Assumpta Est
    07. Laudate Pueri
    08. Ricercar Primo
    09. In Odorem Unguentorum
    10. Laetatus Sum
    11. In Odorem Unguentorum
    12. Benedicta Filia Tua
    13. Nisi Dominus
    14. Fuga Del 9 Tono
    15. Pulchra Es Et Decora
    16. Lauda Ierusalem
    17. Pulchra Es Et Decora
    18. Ave Maris Stella
    19. Plaudat Nunc Organis Maria
    20. Magnificat
    21. Canzon (IV)
    22. Salve Regina

    Performers:
    S.Pozzer, soprano
    C.Cavina, alto
    U.Muller Adam & J.Clement, tenors
    S.Foresti, bass

    Vox Hesperia - Coro dell'Accademia Roveretana di Musica Antica – L'Amaltea

    Chorus, Cappella Musicale di San Marco & L'Amaltea Instrumental Ensemble
    Adriano Dallapè, organista
    N. Schaap, maestro di concerto
    Romano Vettori, direttore

    Exact Audio Copy V1.3 from 2. September 2016

    EAC extraction logfile from 28. February 2017, 15:29

    Vox Hesperia, Cappella Musicale di S.Marco, L'Amaltea, Romano Vettori / Viadana: Vespri per l'Assunzione della Beata Vergine

    Used drive : TSSTcorpCDDVDW TS-H653N Adapter: 1 ID: 0

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    [CUETools log; Date: 01.03.2017 21:55:57; Version: 2.1.5]
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    Thanks to the Original ripper (unknown)!

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