Bach - Akademie für alte Musik Berlin - Die Kunst der Fuge, BWV 1080 (2011, Harmonia Mundi # HMC 902064)
Johann Sebastian Bach - Die Kunst der Fuge, BWV 1080
Akademie fur Alte Musik Berlin
EAC+LOG+CUE | FLAC: 394 MB | Full Artwork; 125 MB | 5% Recovery Info
Label/Cat#: Harmonia Mundi # HMC 902064 | Country/Year: France 2011
Genre: Classical | Style: Baroque
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Bach - Akademie für alte Musik Berlin - Die Kunst der Fuge, BWV 1080 (2011, Harmonia Mundi # HMC 902064)
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 30. September 2013, 10:17
Akademie fur Alte Musik Berlin / Bach: Die Kunst der Fuge, BWV 1080
Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%
TOC of the extracted CD
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Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Bach- Akademie fur Alte Musik Berlin - Die Kunst der Fuge, BWV 1080.wav
Peak level 98.8 %
Extraction speed 8.3 X
Range quality 100.0 %
Copy CRC E38CD2C2
Copy OK
No errors occurred
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[2f9eac46] (01/18) No match
==== Log checksum 947BC3B5EBECD38DF2B0307979DADC2779FEFF78C2F6B1C5162381B628C18AA7 ====
EAC extraction logfile from 30. September 2013, 10:17
Akademie fur Alte Musik Berlin / Bach: Die Kunst der Fuge, BWV 1080
Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 1:21.61 | 0 | 6135
2 | 1:21.61 | 2:39.64 | 6136 | 18124
3 | 4:01.50 | 3:36.65 | 18125 | 34389
4 | 7:38.40 | 2:47.53 | 34390 | 46967
5 | 10:26.18 | 4:25.69 | 46968 | 66911
6 | 14:52.12 | 2:20.70 | 66912 | 77481
7 | 17:13.07 | 2:51.04 | 77482 | 90310
8 | 20:04.11 | 3:16.53 | 90311 | 105063
9 | 23:20.64 | 4:14.31 | 105064 | 124144
10 | 27:35.20 | 4:06.00 | 124145 | 142594
11 | 31:41.20 | 6:08.21 | 142595 | 170215
12 | 37:49.41 | 2:41.21 | 170216 | 182311
13 | 40:30.62 | 4:05.07 | 182312 | 200693
14 | 44:35.69 | 6:36.08 | 200694 | 230401
15 | 51:12.02 | 2:12.33 | 230402 | 240334
16 | 53:24.35 | 2:13.34 | 240335 | 250343
17 | 55:37.69 | 2:23.27 | 250344 | 261095
18 | 58:01.21 | 2:28.62 | 261096 | 272257
19 | 60:30.08 | 2:20.47 | 272258 | 282804
20 | 62:50.55 | 5:22.04 | 282805 | 306958
21 | 68:12.59 | 9:27.06 | 306959 | 349489
Range status and errors
Selected range
Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Bach- Akademie fur Alte Musik Berlin - Die Kunst der Fuge, BWV 1080.wav
Peak level 98.8 %
Extraction speed 8.3 X
Range quality 100.0 %
Copy CRC E38CD2C2
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 15) [C079E839] (AR v2)
Track 2 accurately ripped (confidence 15) [38F1409D] (AR v2)
Track 3 accurately ripped (confidence 15) [F9B1A0C0] (AR v2)
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–– CUETools DB Plugin V2.1.3
[CTDB TOCID: ukQPtgG.qBnsMLIshGqLRWrWjiw-] found, Submit result: ukQPtgG.qBnsMLIshGqLRWrWjiw- has been confirmed
[7debb5e6] (17/18) Accurately ripped
[2f9eac46] (01/18) No match
==== Log checksum 947BC3B5EBECD38DF2B0307979DADC2779FEFF78C2F6B1C5162381B628C18AA7 ====
foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2013-10-02 09:53:40
––––––––––––––––––––––––––––––––––––––––
Analyzed: Akademie fur Alte Musik Berlin / Bach: Die Kunst der Fuge, BWV 1080
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR8 -12.64 dB -25.23 dB 1:22 01-Choral 'Aus tiefer Not' (Schluschoral der Kantate BWV 38)
DR12 -5.36 dB -21.61 dB 2:40 02-Contrapunctus 1. Einfache Fuge uber das Thema in seiner Urgestalt, a 4
DR13 -15.37 dB -29.63 dB 3:37 03-Contrapunctus 2. Einfache Fuge uber das Thema in seiner Urgestalt, a 4
DR11 -2.06 dB -16.51 dB 2:48 04-Contrapunctus 3. Einfache Fuge uber die Umkehrung des Themas, a 4
DR11 -0.10 dB -15.62 dB 4:26 05-Contrapunctus 4. Einfache Fuge uber die Umkehrung des Themas, a 4
DR12 -13.83 dB -28.23 dB 2:21 06-Kanon 15. Kanon in der Oktave, a 2
DR11 -0.10 dB -15.26 dB 2:51 07-Contrapunctus 5. Gegenfuge uber das variierte Thema und seine Umkehrung in ei…
DR12 -0.10 dB -14.71 dB 3:17 08-Contrapunctus 6. Gegenfuge uber das variierte Thema und seine Umkehrung in zw…
DR12 -15.38 dB -29.86 dB 4:14 09-Contrapunctus 7. Gegenfuge uber das variierte Thema und seine Umkehrung in dr…
DR14 -5.00 dB -25.01 dB 4:06 10-Kanon 16. Kanon in der Dezime. Contrapunto alla terza
DR13 -2.93 dB -22.03 dB 6:08 11-Contrapunctus 8. Tripelfuge uber zwei neue Themen und das variierte Hauptthem…
DR11 -3.39 dB -18.37 dB 2:41 12-Contrapunctus 9. Doppelfuge uber eine neues Thema und uber das Hauptthema, a 4
DR13 -4.89 dB -22.17 dB 4:05 13-Contrapunctus 10. Doppelfuge uber eine neues Thema und uber das variierte Hau…
DR11 -0.10 dB -15.81 dB 6:36 14-Contrapunctus 11. Tripelfuge uber zwei neue Themen und das variierte Hauptthe…
DR14 -6.41 dB -24.79 dB 2:12 15-Kanon 17. Kanon in der Duodezime
DR12 -4.44 dB -19.88 dB 2:13 16-Contrapunctus 12a. Spiegelfuge uber Varianten des Themas, a 4
DR11 -14.36 dB -28.29 dB 2:23 17-Contrapunctus 12b. Spiegelfuge uber Varianten des Themas, a 4
DR11 -6.25 dB -20.83 dB 2:29 18-Contrapunctus 13a. Spiegelfuge uber das variierte Thema und seine Umkehrung, a 3
DR13 -7.42 dB -24.79 dB 2:21 19-Contrapunctus 13b. Spiegelfuge uber das variierte Thema und seine Umkehrung, a 3
DR10 -13.80 dB -26.61 dB 5:22 20-Kanon 14. Kanon in Gegenbewegung und Vergroserung
DR11 -0.10 dB -15.81 dB 9:27 21-Contrapunctus 18. Unvollendete Fuge uber drei neue Themen, drittes Thema: B-A…
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 21
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 710 kbps
Codec: FLAC
================================================================================
log date: 2013-10-02 09:53:40
––––––––––––––––––––––––––––––––––––––––
Analyzed: Akademie fur Alte Musik Berlin / Bach: Die Kunst der Fuge, BWV 1080
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR8 -12.64 dB -25.23 dB 1:22 01-Choral 'Aus tiefer Not' (Schluschoral der Kantate BWV 38)
DR12 -5.36 dB -21.61 dB 2:40 02-Contrapunctus 1. Einfache Fuge uber das Thema in seiner Urgestalt, a 4
DR13 -15.37 dB -29.63 dB 3:37 03-Contrapunctus 2. Einfache Fuge uber das Thema in seiner Urgestalt, a 4
DR11 -2.06 dB -16.51 dB 2:48 04-Contrapunctus 3. Einfache Fuge uber die Umkehrung des Themas, a 4
DR11 -0.10 dB -15.62 dB 4:26 05-Contrapunctus 4. Einfache Fuge uber die Umkehrung des Themas, a 4
DR12 -13.83 dB -28.23 dB 2:21 06-Kanon 15. Kanon in der Oktave, a 2
DR11 -0.10 dB -15.26 dB 2:51 07-Contrapunctus 5. Gegenfuge uber das variierte Thema und seine Umkehrung in ei…
DR12 -0.10 dB -14.71 dB 3:17 08-Contrapunctus 6. Gegenfuge uber das variierte Thema und seine Umkehrung in zw…
DR12 -15.38 dB -29.86 dB 4:14 09-Contrapunctus 7. Gegenfuge uber das variierte Thema und seine Umkehrung in dr…
DR14 -5.00 dB -25.01 dB 4:06 10-Kanon 16. Kanon in der Dezime. Contrapunto alla terza
DR13 -2.93 dB -22.03 dB 6:08 11-Contrapunctus 8. Tripelfuge uber zwei neue Themen und das variierte Hauptthem…
DR11 -3.39 dB -18.37 dB 2:41 12-Contrapunctus 9. Doppelfuge uber eine neues Thema und uber das Hauptthema, a 4
DR13 -4.89 dB -22.17 dB 4:05 13-Contrapunctus 10. Doppelfuge uber eine neues Thema und uber das variierte Hau…
DR11 -0.10 dB -15.81 dB 6:36 14-Contrapunctus 11. Tripelfuge uber zwei neue Themen und das variierte Hauptthe…
DR14 -6.41 dB -24.79 dB 2:12 15-Kanon 17. Kanon in der Duodezime
DR12 -4.44 dB -19.88 dB 2:13 16-Contrapunctus 12a. Spiegelfuge uber Varianten des Themas, a 4
DR11 -14.36 dB -28.29 dB 2:23 17-Contrapunctus 12b. Spiegelfuge uber Varianten des Themas, a 4
DR11 -6.25 dB -20.83 dB 2:29 18-Contrapunctus 13a. Spiegelfuge uber das variierte Thema und seine Umkehrung, a 3
DR13 -7.42 dB -24.79 dB 2:21 19-Contrapunctus 13b. Spiegelfuge uber das variierte Thema und seine Umkehrung, a 3
DR10 -13.80 dB -26.61 dB 5:22 20-Kanon 14. Kanon in Gegenbewegung und Vergroserung
DR11 -0.10 dB -15.81 dB 9:27 21-Contrapunctus 18. Unvollendete Fuge uber drei neue Themen, drittes Thema: B-A…
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 21
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 710 kbps
Codec: FLAC
================================================================================
CD Info:
Johann Sebastian Bach - Die Kunst der Fuge, BWV 1080
Akademie fur Alte Musik Berlin
Label: Harmonia Mundi
Catalog#: HMC 902064
Format: CD, Album
Country: France
Released: 2011
Genre: Classical
Style: Baroque
Tracklist:
1 Choral 'Aus tiefer Not' (Schluschoral der Kantate BWV 38) 1:22
2 Contrapunctus 1. Einfache Fuge uber das Thema in seiner Urgestalt, a 4 2:40
3 Contrapunctus 2. Einfache Fuge uber das Thema in seiner Urgestalt, a 4 3:37
4 Contrapunctus 3. Einfache Fuge uber die Umkehrung des Themas, a 4 2:48
5 Contrapunctus 4. Einfache Fuge uber die Umkehrung des Themas, a 4 4:26
6 Kanon 15. Kanon in der Oktave, a 2 2:21
7 Contrapunctus 5. Gegenfuge uber das variierte Thema und seine Umkehrung in ei… 2:51
8 Contrapunctus 6. Gegenfuge uber das variierte Thema und seine Umkehrung in zw… 3:17
9 Contrapunctus 7. Gegenfuge uber das variierte Thema und seine Umkehrung in dr… 4:14
10 Kanon 16. Kanon in der Dezime. Contrapunto alla terza 4:06
11 Contrapunctus 8. Tripelfuge uber zwei neue Themen und das variierte Hauptthem… 6:08
12 Contrapunctus 9. Doppelfuge uber eine neues Thema und uber das Hauptthema, a 4 2:41
13 Contrapunctus 10. Doppelfuge uber eine neues Thema und uber das variierte Hau… 4:05
14 Contrapunctus 11. Tripelfuge uber zwei neue Themen und das variierte Hauptthe… 6:36
15 Kanon 17. Kanon in der Duodezime 2:12
16 Contrapunctus 12a. Spiegelfuge uber Varianten des Themas, a 4 2:13
17 Contrapunctus 12b. Spiegelfuge uber Varianten des Themas, a 4 2:23
18 Contrapunctus 13a. Spiegelfuge uber das variierte Thema und seine Umkehrung, a 3 2:29
19 Contrapunctus 13b. Spiegelfuge uber das variierte Thema und seine Umkehrung, a 3 2:21
20 Kanon 14. Kanon in Gegenbewegung und Vergroserung 5:22
21 Contrapunctus 18. Unvollendete Fuge uber drei neue Themen, drittes Thema: B-A… 9:27
Review by James Manheim
Bach's unfinished Art of Fugue, published for still-debated reasons in open score, has been performed and recorded in dozens of different instrumental versions. But this one, by the veteran Akademie für alte Musik, founded in the former East Berlin, is unique; few others have differentiated the fugues by instrumental forces deployed, and perhaps in none has the overall effect been quite so kaleidoscopic as this one. The rationale for this remains a bit uncertain after perusal of the booklet notes (in German and English); the group members write that, as with other instrumental versions, they aim to "achieve transparent and legible textures," but their "real motivation in tackling the work was the pleasure of plunging together into the structures, harmonic language, and chromatic content of this music, in which an ensemble can make extraordinary discoveries through musical and instrumental confrontations." The Akademie für alte Musik is not a historical instrument group, and there are no claims of any kind for authentic performance. Instead there is a shifting set of forces with a few recurring groups or individual players: a string quartet, a solo keyboardist, small wind groups, various pairs of strings in the canons, and tuttis including the entire ensemble of strings, three oboes in different ranges, bassoon, trombone, and keyboard (either harpsichord or organ). The shifts in instrumentation do not correspond to the work's broad sections (simple fugues, fugues in augmentation, double and triple fugues, and the awesomely complex mirror fugues), and it's hard to find a pattern of any kind. The motivation is murky, but the effect is pleasing if the listener approaches the music in the same sort of freewheeling spirit that the performers seem to have; the incredible concentration demanded by the Art of Fugue, which may or may not have been intended as a work to be performed from start to finish, is replaced by a light sense of anticipation that is extrinsic to the work but not fundamentally alien to it. This is the kind of recording for which sampling will reliably place the potential buyer into the pro or anti group. The sound engineering, a product of Berlin's Teldex Studio, is a major strong point. ~allmusicguide
Bach - Akademie für alte Musik Berlin - Die Kunst der Fuge, BWV 1080 (2011, Harmonia Mundi # HMC 902064)
![Bach - Akademie für alte Musik Berlin - Die Kunst der Fuge, BWV 1080 (2011, Harmonia Mundi # HMC 902064)]()
Bach - Akademie für alte Musik Berlin - Die Kunst der Fuge, BWV 1080 (2011, Harmonia Mundi # HMC 902064)
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