Amos Milburn - Blues, Barrelhouse & Boogie Woogie 1946-1955 (1996)
Amos Milburn - Blues, Barrelhouse & Boogie Woogie 1946-1955 (1996)
3 CD | EAC Rip | FLAC (Image) + CUE + LOG | CD1 176 - CD2 181 - CD3 203 MB | Covers 29 MB
Genre: Blues | Label: Capitol Records | Catalog Number: 36879 | Release Date: 1996 | RAR 5% Rec. | RS.com
–––––––––––––––––––––––-
Tracklist
–––––––––––––––––––––––-
DISC 1
1. After Midnite 2:57
2. My Baby's Boogying 2:28
3. Down The Road Apiece 2:58
4. Amos' Blues 2:27
5. Amos' Boogie 2:21
6. Operation Blues 2:43
7. Cinch Blues 2:42
8. Everything I Do Is Wrong 2:41
9. Blues At Sundown 2:26
10. Money Hustilin' Woman 2:33
11. Sad And Blue 3:06
12. Mean Woman 3:07
13. Aladdin Boogie 2:21
14. Nickel Plated Baby 2:21
15. Real Gone 3:07
16. Rainy Weather Blues 3:01
17. Train Whistle Blues 3:09
18. Train Time Blues 3:08
19. Bye Bye Boogie 3:07
20. Pot Luck Boogie 2:40
21. It's A Married Woman 2:55
22. My Tortured Mind 2:36
–––––––––––––––––––––––-
Tracklist
–––––––––––––––––––––––-
DISC 2
1. Hold Me Baby 2:49
2. Chicken Shack Boogie 2:49
3. Hard Driving Blues 2:44
4. I'm Gonna Leave You 2:26
5. Pool Playing Blues 2:40
6. Rocky Road Blues (Take 1) 2:48
7. Rocky Road Blues (Take 2) 2:52
8. Lonesome For The blues 2:55
9. Slow Down Blues 3:03
10. Anybody's Blues 2:51
11. It Took A Long, Long Time 2:38
12. Wolf On The River 2:39
13. Frank's Blues 2:50
14. Empty Arms Blues 2:56
15. A & M Blues 2:55
16. Won't You Kinda Think It Over 2:47
17. Jitterbug Fashion Parade 2:28
18. My Luck Is Bound To Change 2:53
19. Roomin' House Boogie 2:44
20. Walkin' Blues 2:59
21. Blue And Lonesome 2:16
22. Let's Make Christmas Merry, Baby 2:53
–––––––––––––––––––––––-
Tracklist
–––––––––––––––––––––––-
DISC 3
1. Drifting Blues 2:51
2. Untitled Boogie 1:57
3. Melting Blues 2:44
4. Boogie Woogie 2:50
5. Atomic Baby 2:42
6. Sex Shack Boogie 2:50
7. Birmingham Bounce 3:05
8. Let's Rock A While 2:38
9. Hard Luck Blues 3:16
10. Two Years Of Torture 3:01
11. Bad, Bad Whiskey 2:57
12. Tears, Tears, Tears 2:46
13. Put Something In My Hand 3:02
14. Trouble In Mind 2:34
15. Flying Home 2:55
16. Let Me Go Home, Whiskey 2:48
17. Please Mr. Johnson 2:40
18. Let's Have A Party 2:31
19. One Scotch, One Bourbon, One Beer 3:15
20. Good, Good Whiskey 3:02
21. After Awhile 2:43
22. I Guess I'll Go 3:09
3 CD | EAC Rip | FLAC (Image) + CUE + LOG | CD1 176 - CD2 181 - CD3 203 MB | Covers 29 MB
Genre: Blues | Label: Capitol Records | Catalog Number: 36879 | Release Date: 1996 | RAR 5% Rec. | RS.com
–––––––––––––––––––––––-
Tracklist
–––––––––––––––––––––––-
DISC 1
1. After Midnite 2:57
2. My Baby's Boogying 2:28
3. Down The Road Apiece 2:58
4. Amos' Blues 2:27
5. Amos' Boogie 2:21
6. Operation Blues 2:43
7. Cinch Blues 2:42
8. Everything I Do Is Wrong 2:41
9. Blues At Sundown 2:26
10. Money Hustilin' Woman 2:33
11. Sad And Blue 3:06
12. Mean Woman 3:07
13. Aladdin Boogie 2:21
14. Nickel Plated Baby 2:21
15. Real Gone 3:07
16. Rainy Weather Blues 3:01
17. Train Whistle Blues 3:09
18. Train Time Blues 3:08
19. Bye Bye Boogie 3:07
20. Pot Luck Boogie 2:40
21. It's A Married Woman 2:55
22. My Tortured Mind 2:36
–––––––––––––––––––––––-
Tracklist
–––––––––––––––––––––––-
DISC 2
1. Hold Me Baby 2:49
2. Chicken Shack Boogie 2:49
3. Hard Driving Blues 2:44
4. I'm Gonna Leave You 2:26
5. Pool Playing Blues 2:40
6. Rocky Road Blues (Take 1) 2:48
7. Rocky Road Blues (Take 2) 2:52
8. Lonesome For The blues 2:55
9. Slow Down Blues 3:03
10. Anybody's Blues 2:51
11. It Took A Long, Long Time 2:38
12. Wolf On The River 2:39
13. Frank's Blues 2:50
14. Empty Arms Blues 2:56
15. A & M Blues 2:55
16. Won't You Kinda Think It Over 2:47
17. Jitterbug Fashion Parade 2:28
18. My Luck Is Bound To Change 2:53
19. Roomin' House Boogie 2:44
20. Walkin' Blues 2:59
21. Blue And Lonesome 2:16
22. Let's Make Christmas Merry, Baby 2:53
–––––––––––––––––––––––-
Tracklist
–––––––––––––––––––––––-
DISC 3
1. Drifting Blues 2:51
2. Untitled Boogie 1:57
3. Melting Blues 2:44
4. Boogie Woogie 2:50
5. Atomic Baby 2:42
6. Sex Shack Boogie 2:50
7. Birmingham Bounce 3:05
8. Let's Rock A While 2:38
9. Hard Luck Blues 3:16
10. Two Years Of Torture 3:01
11. Bad, Bad Whiskey 2:57
12. Tears, Tears, Tears 2:46
13. Put Something In My Hand 3:02
14. Trouble In Mind 2:34
15. Flying Home 2:55
16. Let Me Go Home, Whiskey 2:48
17. Please Mr. Johnson 2:40
18. Let's Have A Party 2:31
19. One Scotch, One Bourbon, One Beer 3:15
20. Good, Good Whiskey 3:02
21. After Awhile 2:43
22. I Guess I'll Go 3:09
Review by Bill Dahl
Here's a very reasonable compromise between the pricey Mosaic box and EMI's incomplete single-disc treatment of Milburn's Aladdin legacy: a three-disc, 66-song package that's heavy on boogies and blues and slightly deficient in the ballad department (to that end, his smash "Bewildered" was left off). Everything that is aboard is top-drawer, though — the booze odes, many a party rocker, and a plethora of the double-entendre blues that Milburn reveled in during his early years. The absent 1956 remake of "Chicken Shack Boogie" is a humongous omission, though.
Flac Download RS.com
Disc 1
Part 1 Part 2
Disc 2
Part 1 Part 2
Disc 3
Part 1 Part 2 Part 3
Covers
Covers
***** Pass: avaxhome *****
Disc 1
Part 1 Part 2
Disc 2
Part 1 Part 2
Disc 3
Part 1 Part 2 Part 3
Covers
Covers
***** Pass: avaxhome *****
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC Auslese-Logdatei vom 2. Juni 2010, 12:09
Amos Milburn / Blues, Barrelhouse & Boogie Woogie (Disc 1)
Benutztes Laufwerk : LG - GSA-H60N Adapter: 5 ID: 0
Lesemodus : Sicher
Benutze Accurate Stream : Ja
Audio Puffer abgeschaltet : Ja
Benutze C2 Fehlerinformationen : Ja
Leseoffset Korrektur : 667
Überlesen in das Lead-In und Lead-Out : Ja
Fülle fehlende Offsetsample mit Stille auf : Ja
Lösche führende und nachfolgende stille Blöcke : Nein
Null Samples gehen in CRC Berechnungen ein : Nein
Benutzte Schnittstelle : Natürliche Win32 Schnittstelle für Win NT/2000/XP
Benutztes Ausgabeformat : Benutzerdefinierter Komprimierer
Gewählte Bitrate : 1024 kBit/s
Qualität : Hoch
Füge ID3 Tag hinzu : Nein
Kommandozeilen Komprimierer : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Zusätzliche Kommandozeilenoptionen : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d
TOC der ausgelesenen CD
Track | Start | Länge | Startsektor | Endsektor
–––––––––––––––––––––––––––-
1 | 0:00.00 | 2:59.25 | 0 | 13449
2 | 2:59.25 | 2:30.65 | 13450 | 24764
3 | 5:30.15 | 3:00.62 | 24765 | 38326
4 | 8:31.02 | 2:29.35 | 38327 | 49536
5 | 11:00.37 | 2:23.25 | 49537 | 60286
6 | 13:23.62 | 2:45.20 | 60287 | 72681
7 | 16:09.07 | 2:44.03 | 72682 | 84984
8 | 18:53.10 | 2:43.32 | 84985 | 97241
9 | 21:36.42 | 2:28.43 | 97242 | 108384
10 | 24:05.10 | 2:35.57 | 108385 | 120066
11 | 26:40.67 | 3:08.30 | 120067 | 134196
12 | 29:49.22 | 3:09.03 | 134197 | 148374
13 | 32:58.25 | 2:23.17 | 148375 | 159116
14 | 35:21.42 | 2:23.43 | 159117 | 169884
15 | 37:45.10 | 3:09.55 | 169885 | 184114
16 | 40:54.65 | 3:03.60 | 184115 | 197899
17 | 43:58.50 | 3:11.15 | 197900 | 212239
18 | 47:09.65 | 3:10.50 | 212240 | 226539
19 | 50:20.40 | 3:09.37 | 226540 | 240751
20 | 53:30.02 | 2:42.60 | 240752 | 252961
21 | 56:12.62 | 2:57.23 | 252962 | 266259
22 | 59:10.10 | 2:36.45 | 266260 | 278004
Bereichsstatus und Fehler
Gewählter Bereich
Dateiname D:\MUSIK\Amos Milburn - Blues, Barrelhouse & Boogie Woogie (Disc 1).wav
Spitzenpegel 54.7 %
Bereichsqualität 100.0 %
Kopie CRC B68B3F0F
Kopie OK
Keine Fehler aufgetreten
Ende des Statusreports
EAC Auslese-Logdatei vom 2. Juni 2010, 12:09
Amos Milburn / Blues, Barrelhouse & Boogie Woogie (Disc 1)
Benutztes Laufwerk : LG - GSA-H60N Adapter: 5 ID: 0
Lesemodus : Sicher
Benutze Accurate Stream : Ja
Audio Puffer abgeschaltet : Ja
Benutze C2 Fehlerinformationen : Ja
Leseoffset Korrektur : 667
Überlesen in das Lead-In und Lead-Out : Ja
Fülle fehlende Offsetsample mit Stille auf : Ja
Lösche führende und nachfolgende stille Blöcke : Nein
Null Samples gehen in CRC Berechnungen ein : Nein
Benutzte Schnittstelle : Natürliche Win32 Schnittstelle für Win NT/2000/XP
Benutztes Ausgabeformat : Benutzerdefinierter Komprimierer
Gewählte Bitrate : 1024 kBit/s
Qualität : Hoch
Füge ID3 Tag hinzu : Nein
Kommandozeilen Komprimierer : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Zusätzliche Kommandozeilenoptionen : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d
TOC der ausgelesenen CD
Track | Start | Länge | Startsektor | Endsektor
–––––––––––––––––––––––––––-
1 | 0:00.00 | 2:59.25 | 0 | 13449
2 | 2:59.25 | 2:30.65 | 13450 | 24764
3 | 5:30.15 | 3:00.62 | 24765 | 38326
4 | 8:31.02 | 2:29.35 | 38327 | 49536
5 | 11:00.37 | 2:23.25 | 49537 | 60286
6 | 13:23.62 | 2:45.20 | 60287 | 72681
7 | 16:09.07 | 2:44.03 | 72682 | 84984
8 | 18:53.10 | 2:43.32 | 84985 | 97241
9 | 21:36.42 | 2:28.43 | 97242 | 108384
10 | 24:05.10 | 2:35.57 | 108385 | 120066
11 | 26:40.67 | 3:08.30 | 120067 | 134196
12 | 29:49.22 | 3:09.03 | 134197 | 148374
13 | 32:58.25 | 2:23.17 | 148375 | 159116
14 | 35:21.42 | 2:23.43 | 159117 | 169884
15 | 37:45.10 | 3:09.55 | 169885 | 184114
16 | 40:54.65 | 3:03.60 | 184115 | 197899
17 | 43:58.50 | 3:11.15 | 197900 | 212239
18 | 47:09.65 | 3:10.50 | 212240 | 226539
19 | 50:20.40 | 3:09.37 | 226540 | 240751
20 | 53:30.02 | 2:42.60 | 240752 | 252961
21 | 56:12.62 | 2:57.23 | 252962 | 266259
22 | 59:10.10 | 2:36.45 | 266260 | 278004
Bereichsstatus und Fehler
Gewählter Bereich
Dateiname D:\MUSIK\Amos Milburn - Blues, Barrelhouse & Boogie Woogie (Disc 1).wav
Spitzenpegel 54.7 %
Bereichsqualität 100.0 %
Kopie CRC B68B3F0F
Kopie OK
Keine Fehler aufgetreten
Ende des Statusreports
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC Auslese-Logdatei vom 2. Juni 2010, 12:13
Amos Milburn / Blues, Barrelhouse & Boogie Woogie (Disc 2)
Benutztes Laufwerk : LG - GSA-H60N Adapter: 5 ID: 0
Lesemodus : Sicher
Benutze Accurate Stream : Ja
Audio Puffer abgeschaltet : Ja
Benutze C2 Fehlerinformationen : Ja
Leseoffset Korrektur : 667
Überlesen in das Lead-In und Lead-Out : Ja
Fülle fehlende Offsetsample mit Stille auf : Ja
Lösche führende und nachfolgende stille Blöcke : Nein
Null Samples gehen in CRC Berechnungen ein : Nein
Benutzte Schnittstelle : Natürliche Win32 Schnittstelle für Win NT/2000/XP
Benutztes Ausgabeformat : Benutzerdefinierter Komprimierer
Gewählte Bitrate : 1024 kBit/s
Qualität : Hoch
Füge ID3 Tag hinzu : Nein
Kommandozeilen Komprimierer : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Zusätzliche Kommandozeilenoptionen : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d
TOC der ausgelesenen CD
Track | Start | Länge | Startsektor | Endsektor
–––––––––––––––––––––––––––-
1 | 0:00.00 | 2:51.27 | 0 | 12851
2 | 2:51.27 | 2:51.43 | 12852 | 25719
3 | 5:42.70 | 2:46.02 | 25720 | 38171
4 | 8:28.72 | 2:28.38 | 38172 | 49309
5 | 10:57.35 | 2:42.72 | 49310 | 61531
6 | 13:40.32 | 2:50.60 | 61532 | 74341
7 | 16:31.17 | 2:54.30 | 74342 | 87421
8 | 19:25.47 | 2:57.03 | 87422 | 100699
9 | 22:22.50 | 3:05.30 | 100700 | 114604
10 | 25:28.05 | 2:53.60 | 114605 | 127639
11 | 28:21.65 | 2:40.42 | 127640 | 139681
12 | 31:02.32 | 2:41.60 | 139682 | 151816
13 | 33:44.17 | 2:52.58 | 151817 | 164774
14 | 36:37.00 | 2:58.67 | 164775 | 178191
15 | 39:35.67 | 2:57.53 | 178192 | 191519
16 | 42:33.45 | 2:49.50 | 191520 | 204244
17 | 45:23.20 | 2:30.65 | 204245 | 215559
18 | 47:54.10 | 2:55.55 | 215560 | 228739
19 | 50:49.65 | 2:46.57 | 228740 | 241246
20 | 53:36.47 | 3:01.68 | 241247 | 254889
21 | 56:38.40 | 2:18.12 | 254890 | 265251
22 | 58:56.52 | 2:53.23 | 265252 | 278249
Bereichsstatus und Fehler
Gewählter Bereich
Dateiname D:\MUSIK\Amos Milburn - Blues, Barrelhouse & Boogie Woogie (Disc 2).wav
Spitzenpegel 62.7 %
Bereichsqualität 99.9 %
Kopie CRC 38A3EE52
Kopie OK
Keine Fehler aufgetreten
Ende des Statusreports
EAC Auslese-Logdatei vom 2. Juni 2010, 12:13
Amos Milburn / Blues, Barrelhouse & Boogie Woogie (Disc 2)
Benutztes Laufwerk : LG - GSA-H60N Adapter: 5 ID: 0
Lesemodus : Sicher
Benutze Accurate Stream : Ja
Audio Puffer abgeschaltet : Ja
Benutze C2 Fehlerinformationen : Ja
Leseoffset Korrektur : 667
Überlesen in das Lead-In und Lead-Out : Ja
Fülle fehlende Offsetsample mit Stille auf : Ja
Lösche führende und nachfolgende stille Blöcke : Nein
Null Samples gehen in CRC Berechnungen ein : Nein
Benutzte Schnittstelle : Natürliche Win32 Schnittstelle für Win NT/2000/XP
Benutztes Ausgabeformat : Benutzerdefinierter Komprimierer
Gewählte Bitrate : 1024 kBit/s
Qualität : Hoch
Füge ID3 Tag hinzu : Nein
Kommandozeilen Komprimierer : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Zusätzliche Kommandozeilenoptionen : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d
TOC der ausgelesenen CD
Track | Start | Länge | Startsektor | Endsektor
–––––––––––––––––––––––––––-
1 | 0:00.00 | 2:51.27 | 0 | 12851
2 | 2:51.27 | 2:51.43 | 12852 | 25719
3 | 5:42.70 | 2:46.02 | 25720 | 38171
4 | 8:28.72 | 2:28.38 | 38172 | 49309
5 | 10:57.35 | 2:42.72 | 49310 | 61531
6 | 13:40.32 | 2:50.60 | 61532 | 74341
7 | 16:31.17 | 2:54.30 | 74342 | 87421
8 | 19:25.47 | 2:57.03 | 87422 | 100699
9 | 22:22.50 | 3:05.30 | 100700 | 114604
10 | 25:28.05 | 2:53.60 | 114605 | 127639
11 | 28:21.65 | 2:40.42 | 127640 | 139681
12 | 31:02.32 | 2:41.60 | 139682 | 151816
13 | 33:44.17 | 2:52.58 | 151817 | 164774
14 | 36:37.00 | 2:58.67 | 164775 | 178191
15 | 39:35.67 | 2:57.53 | 178192 | 191519
16 | 42:33.45 | 2:49.50 | 191520 | 204244
17 | 45:23.20 | 2:30.65 | 204245 | 215559
18 | 47:54.10 | 2:55.55 | 215560 | 228739
19 | 50:49.65 | 2:46.57 | 228740 | 241246
20 | 53:36.47 | 3:01.68 | 241247 | 254889
21 | 56:38.40 | 2:18.12 | 254890 | 265251
22 | 58:56.52 | 2:53.23 | 265252 | 278249
Bereichsstatus und Fehler
Gewählter Bereich
Dateiname D:\MUSIK\Amos Milburn - Blues, Barrelhouse & Boogie Woogie (Disc 2).wav
Spitzenpegel 62.7 %
Bereichsqualität 99.9 %
Kopie CRC 38A3EE52
Kopie OK
Keine Fehler aufgetreten
Ende des Statusreports
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC Auslese-Logdatei vom 2. Juni 2010, 12:16
Amos Milburn / Blues, Barrelhouse, and Boogie (Disc 3)
Benutztes Laufwerk : LG - GSA-H60N Adapter: 5 ID: 0
Lesemodus : Sicher
Benutze Accurate Stream : Ja
Audio Puffer abgeschaltet : Ja
Benutze C2 Fehlerinformationen : Ja
Leseoffset Korrektur : 667
Überlesen in das Lead-In und Lead-Out : Ja
Fülle fehlende Offsetsample mit Stille auf : Ja
Lösche führende und nachfolgende stille Blöcke : Nein
Null Samples gehen in CRC Berechnungen ein : Nein
Benutzte Schnittstelle : Natürliche Win32 Schnittstelle für Win NT/2000/XP
Benutztes Ausgabeformat : Benutzerdefinierter Komprimierer
Gewählte Bitrate : 1024 kBit/s
Qualität : Hoch
Füge ID3 Tag hinzu : Nein
Kommandozeilen Komprimierer : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Zusätzliche Kommandozeilenoptionen : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d
TOC der ausgelesenen CD
Track | Start | Länge | Startsektor | Endsektor
–––––––––––––––––––––––––––-
1 | 0:00.00 | 2:53.52 | 0 | 13026
2 | 2:53.52 | 1:59.00 | 13027 | 21951
3 | 4:52.52 | 2:46.05 | 21952 | 34406
4 | 7:38.57 | 2:52.40 | 34407 | 47346
5 | 10:31.22 | 2:44.55 | 47347 | 59701
6 | 13:16.02 | 2:52.68 | 59702 | 72669
7 | 16:08.70 | 3:07.72 | 72670 | 86766
8 | 19:16.67 | 2:40.18 | 86767 | 98784
9 | 21:57.10 | 3:18.20 | 98785 | 113654
10 | 25:15.30 | 3:03.62 | 113655 | 127441
11 | 28:19.17 | 2:59.30 | 127442 | 140896
12 | 31:18.47 | 2:48.43 | 140897 | 153539
13 | 34:07.15 | 3:04.05 | 153540 | 167344
14 | 37:11.20 | 2:36.70 | 167345 | 179114
15 | 39:48.15 | 2:57.30 | 179115 | 192419
16 | 42:45.45 | 2:50.20 | 192420 | 205189
17 | 45:35.65 | 2:42.25 | 205190 | 217364
18 | 48:18.15 | 2:33.22 | 217365 | 228861
19 | 50:51.37 | 3:17.15 | 228862 | 243651
20 | 54:08.52 | 3:04.20 | 243652 | 257471
21 | 57:12.72 | 2:45.28 | 257472 | 269874
22 | 59:58.25 | 3:09.42 | 269875 | 284091
Bereichsstatus und Fehler
Gewählter Bereich
Dateiname D:\MUSIK\Amos Milburn - Blues, Barrelhouse, and Boogie (Disc 3).wav
Spitzenpegel 62.5 %
Bereichsqualität 100.0 %
Kopie CRC 8C91E3E8
Kopie OK
Keine Fehler aufgetreten
Ende des Statusreports
EAC Auslese-Logdatei vom 2. Juni 2010, 12:16
Amos Milburn / Blues, Barrelhouse, and Boogie (Disc 3)
Benutztes Laufwerk : LG - GSA-H60N Adapter: 5 ID: 0
Lesemodus : Sicher
Benutze Accurate Stream : Ja
Audio Puffer abgeschaltet : Ja
Benutze C2 Fehlerinformationen : Ja
Leseoffset Korrektur : 667
Überlesen in das Lead-In und Lead-Out : Ja
Fülle fehlende Offsetsample mit Stille auf : Ja
Lösche führende und nachfolgende stille Blöcke : Nein
Null Samples gehen in CRC Berechnungen ein : Nein
Benutzte Schnittstelle : Natürliche Win32 Schnittstelle für Win NT/2000/XP
Benutztes Ausgabeformat : Benutzerdefinierter Komprimierer
Gewählte Bitrate : 1024 kBit/s
Qualität : Hoch
Füge ID3 Tag hinzu : Nein
Kommandozeilen Komprimierer : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Zusätzliche Kommandozeilenoptionen : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d
TOC der ausgelesenen CD
Track | Start | Länge | Startsektor | Endsektor
–––––––––––––––––––––––––––-
1 | 0:00.00 | 2:53.52 | 0 | 13026
2 | 2:53.52 | 1:59.00 | 13027 | 21951
3 | 4:52.52 | 2:46.05 | 21952 | 34406
4 | 7:38.57 | 2:52.40 | 34407 | 47346
5 | 10:31.22 | 2:44.55 | 47347 | 59701
6 | 13:16.02 | 2:52.68 | 59702 | 72669
7 | 16:08.70 | 3:07.72 | 72670 | 86766
8 | 19:16.67 | 2:40.18 | 86767 | 98784
9 | 21:57.10 | 3:18.20 | 98785 | 113654
10 | 25:15.30 | 3:03.62 | 113655 | 127441
11 | 28:19.17 | 2:59.30 | 127442 | 140896
12 | 31:18.47 | 2:48.43 | 140897 | 153539
13 | 34:07.15 | 3:04.05 | 153540 | 167344
14 | 37:11.20 | 2:36.70 | 167345 | 179114
15 | 39:48.15 | 2:57.30 | 179115 | 192419
16 | 42:45.45 | 2:50.20 | 192420 | 205189
17 | 45:35.65 | 2:42.25 | 205190 | 217364
18 | 48:18.15 | 2:33.22 | 217365 | 228861
19 | 50:51.37 | 3:17.15 | 228862 | 243651
20 | 54:08.52 | 3:04.20 | 243652 | 257471
21 | 57:12.72 | 2:45.28 | 257472 | 269874
22 | 59:58.25 | 3:09.42 | 269875 | 284091
Bereichsstatus und Fehler
Gewählter Bereich
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by Bill Dahl
Boogie piano master Amos Milburn was born in Houston, and he died there a short 52 years later. In between, he pounded out some of the most hellacious boogies of the postwar era, usually recording in Los Angeles for Aladdin Records and specializing in good-natured upbeat romps about booze and its effects (both positive and negative) that proved massive hits during the immediate pre-rock era.
The self-taught 88s ace made a name for himself as "the He-Man Martha Raye" around Houston before joining the Navy and seeing overseas battle action in World War II. When he came out of the service, Milburn played in various Lone Star niteries before meeting the woman whose efforts would catapult him to stardom.
Persistent manager Lola Anne Cullum reportedly barged into Aladdin boss Eddie Mesner's hospital room, toting a portable disc machine with Milburn's demo all cued up. The gambit worked — Milburn signed with Aladdin in 1946. His first date included a thundering "Down the Road Apiece" that presaged the imminent rise of rock & roll. But Milburn was capable of subtler charms too, crooning mellow blues ballads in a Charles Brown-influenced style (the two would later become close friends, playing together frequently).
The first of Milburn's 19 Top Ten R&B smashes came in 1948 with his party classic "Chicken Shack Boogie," which paced the charts and anointed his band with a worthy name (the Aladdin Chickenshackers, natch). A velvet-smooth "Bewildered" displayed the cool after-hours side of Milburn's persona as it streaked up the charts later that year, but it was rollicking horn-driven material such as "Roomin' House Boogie" and "Sax Shack Boogie" that Milburn was renowned for. Milburn's rumbling 88s influenced a variety of famous artists, notably Fats Domino.
With the ascent of "Bad, Bad Whiskey" to the peak of the charts in 1950, Milburn embarked on a string of similarly boozy smashes: "Thinking and Drinking," "Let Me Go Home Whiskey," "One Scotch, One Bourbon, One Beer" (an inebriating round John Lee Hooker apparently enjoyed!), and "Good Good Whiskey" (his last hit in 1954). Alcoholism later brought the pianist down hard, giving these numbers a grimly ironic twist in retrospect. Milburn's national profile rated a series of appearances on the Willie Bryant-hosted mid-'50s TV program Showtime at the Apollo (where he gave out with a blistering "Down the Road Apiece").
Aladdin stuck with Milburn long after the hits ceased, dispatching him to New Orleans in 1956 to record with the vaunted studio crew at Cosimo's. There he recut "Chicken Shack Boogie" in a manner so torrid that it's impossible to believe it didn't hit (tenor saxist Lee Allen and drummer Charles "Hungry" Williams blast with atomic power as Milburn happily grunts along with his pounding boogie piano solo). In 1957, he left Aladdin for good.
Milburn contributed a fine offering to the R&B Yuletide canon in 1960 with his swinging "Christmas (Comes but Once a Year)" for King. Berry Gordy gave him a comeback forum in 1962, issuing an album on Motown predominated by remakes of his old hits that doesn't deserve its extreme rarity today (even Little Stevie Wonder pitched in on harp for the sessions).
Nothing could jump start the pianist's fading career by then, though. His health deteriorated to the point where a string of strokes limited his mobility and his left leg was eventually amputated. Not too long after, one of the greatest pioneers in the history of R&B was dead.
Boogie piano master Amos Milburn was born in Houston, and he died there a short 52 years later. In between, he pounded out some of the most hellacious boogies of the postwar era, usually recording in Los Angeles for Aladdin Records and specializing in good-natured upbeat romps about booze and its effects (both positive and negative) that proved massive hits during the immediate pre-rock era.
The self-taught 88s ace made a name for himself as "the He-Man Martha Raye" around Houston before joining the Navy and seeing overseas battle action in World War II. When he came out of the service, Milburn played in various Lone Star niteries before meeting the woman whose efforts would catapult him to stardom.
Persistent manager Lola Anne Cullum reportedly barged into Aladdin boss Eddie Mesner's hospital room, toting a portable disc machine with Milburn's demo all cued up. The gambit worked — Milburn signed with Aladdin in 1946. His first date included a thundering "Down the Road Apiece" that presaged the imminent rise of rock & roll. But Milburn was capable of subtler charms too, crooning mellow blues ballads in a Charles Brown-influenced style (the two would later become close friends, playing together frequently).
The first of Milburn's 19 Top Ten R&B smashes came in 1948 with his party classic "Chicken Shack Boogie," which paced the charts and anointed his band with a worthy name (the Aladdin Chickenshackers, natch). A velvet-smooth "Bewildered" displayed the cool after-hours side of Milburn's persona as it streaked up the charts later that year, but it was rollicking horn-driven material such as "Roomin' House Boogie" and "Sax Shack Boogie" that Milburn was renowned for. Milburn's rumbling 88s influenced a variety of famous artists, notably Fats Domino.
With the ascent of "Bad, Bad Whiskey" to the peak of the charts in 1950, Milburn embarked on a string of similarly boozy smashes: "Thinking and Drinking," "Let Me Go Home Whiskey," "One Scotch, One Bourbon, One Beer" (an inebriating round John Lee Hooker apparently enjoyed!), and "Good Good Whiskey" (his last hit in 1954). Alcoholism later brought the pianist down hard, giving these numbers a grimly ironic twist in retrospect. Milburn's national profile rated a series of appearances on the Willie Bryant-hosted mid-'50s TV program Showtime at the Apollo (where he gave out with a blistering "Down the Road Apiece").
Aladdin stuck with Milburn long after the hits ceased, dispatching him to New Orleans in 1956 to record with the vaunted studio crew at Cosimo's. There he recut "Chicken Shack Boogie" in a manner so torrid that it's impossible to believe it didn't hit (tenor saxist Lee Allen and drummer Charles "Hungry" Williams blast with atomic power as Milburn happily grunts along with his pounding boogie piano solo). In 1957, he left Aladdin for good.
Milburn contributed a fine offering to the R&B Yuletide canon in 1960 with his swinging "Christmas (Comes but Once a Year)" for King. Berry Gordy gave him a comeback forum in 1962, issuing an album on Motown predominated by remakes of his old hits that doesn't deserve its extreme rarity today (even Little Stevie Wonder pitched in on harp for the sessions).
Nothing could jump start the pianist's fading career by then, though. His health deteriorated to the point where a string of strokes limited his mobility and his left leg was eventually amputated. Not too long after, one of the greatest pioneers in the history of R&B was dead.