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    Masabumi Kikuchi - Black Orpheus (2016) {ECM-Universal Music Japan UCCE-1160}

    Posted By: ruskaval
    Masabumi Kikuchi - Black Orpheus (2016) {ECM-Universal Music Japan UCCE-1160}

    Masabumi Kikuchi - Black Orpheus (2016) {ECM-Universal Music Japan UCCE-1160}
    EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 236 Mb | MP3 @320 -> 164 Mb
    Full Artwork @ 600 dpi (png) -> 453 Mb | 5% repair rar
    © 2016 ECM Records / Universal Music Japan | UCCE-1160
    Jazz / Modern Creative / Modern Jazz / Piano

    A document of a 2012 Japanese solo recital – not only the last in his homeland but the last anywhere – by idiosyncratic improviser Masabumi Kikuchi (1939-2015). One of the uncategorisable greats, Kikuchi occupied his own musical universe and in his final years was quietly and systematically severing his ties to jazz, drifting instead towards what he called ‘floating sound and harmonies’, introspective and poetic improvisations. Song forms still sometimes materialized. Kikuchi revisits “Little Abi”, a ballad for his daughter, which the pianist once recorded with Elvin Jones. And there is a surprising and very touching version of the wistfully yearning theme from the 1959 Brazilian film Black Orpheus.
    Masabumi Kikuchi - Black Orpheus (2016) {ECM-Universal Music Japan UCCE-1160}

    Of the albums pianist Masabumi Kikuchi released as a leader or participated in as a sideman, few, if any, are as personal and revelatory as Black Orpheus. Recorded solo at the Tokyo Bunka Kaikan Recital Hall in 2012, it was his final such outing. In his liner notes, pianist Ethan Iverson – who admits he was not initially convinced of Kikuchi's gifts – states that, "The best of Masabumi has extraordinary vulnerability and corresponding extraordinary magic." Kikuchi was an outsider artist, determined to follow his own way no matter the cost. And he did. Black Orpheus reveals that Kikuchi's iconoclastic path may have been worth it. Displayed here, the concert unfolds almost continuously as a series of improvisations. They reveal that Kikuchi's fierce dedication to discovering his own voice on the piano was a rigorous, almost ascetic practice. That evening, Kikuchi had an instructional reminder taped to his piano: "Play slower. I sound better when I play slower."

    Masabumi Kikuchi - Black Orpheus (2016) {ECM-Universal Music Japan UCCE-1160}


    Beginning with "Tokyo, Pt. 1," we hear the culmination of a lifetime of concentration in developing a slavish devotion to hearing and playing the right note at the right time with correct force and timbre. The show is a determined renunciation of influences and statement of self-discovery. Nothing is rushed. His self-imposed restraint creates space and openness around an ever unfolding musical journey; one that moves beyond any self-imposed boundary. While that first part employs more single notes than chord voicings. "Tokyo, Pt. 2" uses slightly angular sonorities of note clusters, percussive pedal pushes, the sounds of his feet moving against the floor, and breathing, as they contrast with middle-register arpeggios. Together they are an ascendant reach for balance and perfection. The beauty in "Pt. 3" is so halting through its first two-thirds that, when he introduces circular phrasing in a harmonic discovery, the listener is startled. The album's centerpiece is a staggering, intimate deconstruction and remarkable revisioning – note by note, tone by tone – of the title theme ("Manhã de Carnaval: Theme from Black Orpheus") by Luiz Bonfa. Kikuchi finds not only the haunted romance that lies at the tune's heart, but also mysterious metaphysics.

    Masabumi Kikuchi - Black Orpheus (2016) {ECM-Universal Music Japan UCCE-1160}


    He cracks the surface for transformation and poses the possibility of intent underneath what is known. "Tokyo, Pt. 9" is quietly processional, but offers a nearly inscrutable devotion to in-the-moment discovery that results not in resolution, but realization. The album-closer, "Little Abi," is a composition for his daughter he had recorded 40 years before with Elvin Jones. The lithe swing and song-like whimsy in the original have been replaced by a skeletal lyric line. The intent is one of reflection and pure, devoted tenderness. The process of placement and the choral statements are more open to question than statement and resolution; they're poignant, emotionally resonant. His nearly inscrutable devotion to in-the-moment perception results in realization. This album is not an epitaph for Kikuchi, but an entryway.
    Masabumi Kikuchi - Black Orpheus (2016) {ECM-Universal Music Japan UCCE-1160}


    ECM INFO
    AAJ INFO


    Personnel: Masubumi Kikcuchi - piano

    tracklist:
    01 - Tokyo Part I
    02 - Tokyo Part II
    03 - Tokyo Part III
    04 - Tokyo Part IV
    05 - Tokyo Part V
    06 - Black Orpheus
    07 - Tokyo Part VI
    08 - Tokyo Part VII
    09 - Tokyo Part VIII
    10 - Tokyo Part IX
    11 - Little Abi

    Exact Audio Copy V1.1 from 23. June 2015

    EAC extraction logfile from 2. June 2016, 17:30

    Masabumi Kikuchi / Black Orpheus

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    Read offset correction : 6
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000
    Gap handling : Appended to previous track

    Used output format : User Defined Encoder
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    Command line compressor : C:\Program Files (x86)\FLAC Frontend\tools\flac.exe
    Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source%


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    1 | 0:00.00 | 5:52.25 | 0 | 26424
    2 | 5:52.25 | 3:57.47 | 26425 | 44246
    3 | 9:49.72 | 5:33.03 | 44247 | 69224
    4 | 15:23.00 | 7:27.23 | 69225 | 102772
    5 | 22:50.23 | 5:05.22 | 102773 | 125669
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    8 | 42:51.23 | 7:38.18 | 192848 | 227215
    9 | 50:29.41 | 6:30.36 | 227216 | 256501
    10 | 57:00.02 | 7:09.39 | 256502 | 288715
    11 | 64:09.41 | 6:43.31 | 288716 | 318971


    Track 1

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    Track 6

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    Track 7

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    Track 8

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    Track 9

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    Track 10

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    Track 11

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    All tracks accurately ripped

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    ==== Log checksum F07945E6BF338790659B5B6270DD12CED55202A0D2BE2A0CDADB54E41C6EBE85 ====


    Masabumi Kikuchi - Black Orpheus (2016) {ECM-Universal Music Japan UCCE-1160}

    Masabumi Kikuchi - Black Orpheus (2016) {ECM-Universal Music Japan UCCE-1160}


    see more Masabumi Kikuchi…


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