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    Ludwig van Beethoven - Violin Concerto in D major, Op. 61 (Vinyl rip in 24bit/96kHz)

    Posted By: stamp
    Ludwig van Beethoven - Violin Concerto in D major, Op. 61 (Vinyl rip in 24bit/96kHz)

    Ludwig van Beethoven - Violin Concerto in D major, Op. 61 (Vinyl rip in 24bit/96kHz)
    Vinyl-rip in 24/96 | Wavpack(Tracks) | stereo | 765 MB | Artwork | Classical | no declick | Rapidshare
    Label: ETERNA

    Ludwig van Beethoven's Violin Concerto in D major, Op. 61, was written in 1806.
    The work was premiered on December 23, 1806 in the Theater an der Wien in Vienna. Beethoven wrote the concerto for his colleague Franz Clement, a leading violinist of the day, who had earlier given him helpful advice on his opera Fidelio. The occasion was a benefit concert for Clement. However, the first printed edition (1808) was dedicated to Beethoven’s friend Stephan von Breuning. wikipedia

    Liedehrlich (Vinyl rip in 24Bit/96kHz) Amiga (DDR/1982)

    Posted By: stamp
    Liedehrlich (Vinyl rip in 24Bit/96kHz) Amiga (DDR/1982)

    Liedehrlich - Liedehrlich (Amiga) - 1982
    Vinyl-rip in 24/96 | Wavpack(Tracks) | stereo | 808MB | Songwriter/Traditional | Artwork | Rapidshare
    Label: Amiga

    "Liedehrlich" was an east german songwriter trio. They published their only record in 1982 with traditional and partly own lyrics. For example "König von Preußen" is german folklore. Otherwise "Ade, mein Lieb" is a translated scottish traditional known as "The Turtle Dove".

    Autechre - Amber (1994) (Vinyl rip in 24bit/96khz)

    Posted By: stamp
    Autechre - Amber (1994) (Vinyl rip in 24bit/96khz)

    Autechre - Amber 2-Disc Set Vinyl (1994)
    Vinyl-rip in 24/96 | Wavpack(Tracks) | stereo | 1.45 GB | Artwork | Ambient / IDM | md5 checksum | Rapidshare
    Label: Warp Records

    Amber, released by Warp Records in 1994, is the second full-length album by the electronic music group Autechre.

    The dense, mathematical music Autechre pioneered on their debut album Incunabula is given a new twist on their follow-up, Amber.
    While percussion took center stage on their previous works, highly evolved melodies and textures dominate here. The spirit of
    electro still lives in the muted beats, rhythmically complex and strangely funky. But they don't merely provide a background;
    they meld seamlessly into dense layers of strings, wandering synth hooks, and massive shards of white noise. It's highly
    intellectual, but by no means is it unemotional. While tracks like "Glitch" and "Piezo" are dense and impenetrable, most of Amber
    covers emotional territory from quirky and upbeat ("Slip") to melancholic ("Nine").