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    Jimmy Buffett A1A (1974) [ABC/Dunhill White Label Promo] 24-bit 96kHZ vinyl rip and redbook

    Posted By: 86ed
    Jimmy Buffett A1A (1974) [ABC/Dunhill White Label Promo] 24-bit 96kHZ vinyl rip and redbook

    Jimmy Buffett – A1A (White-Label Promo)
    Vinyl rip in 24-bit / 96kHZ and redbook | FLAC | no cue or log (vinyl) | artwork
    242 MB (24/96) + 844 MB (RB) | RS,FF | Gulf & Western | ABC Dunhill DSD-50183

    Jimmy's fifth, and arguably, best LP. Released in December 1974, this is probably his most biographical album. And it contains what many Parrot Heads believe to be the best of the Big 8 (Before 2003, songs played at every Buffett show were known as the Big 8) – "A Pirate Looks At Forty".

    Matt Minglewood - Me And The Boys (Savannah SVLP 9202) (NL 1987) (Vinyl 24-96 & 16-44.1)

    Posted By: luckburz
    Matt Minglewood - Me And The Boys (Savannah SVLP 9202) (NL 1987) (Vinyl 24-96 & 16-44.1)

    Matt Minglewood - Me And The Boys
    FLAC | Artwork | 24Bit 96kHz: 850 MB | 16Bit 44.1kHz: 269 MB
    Cat#: Savannah SVLP 9202 | Country/Year: Netherlands 1987
    Genre: Country Rock | Hoster: Filesonic/Uploaded

    Matt Minglewood is a Canadian musician whose style can be described as a blend of country, blues, folk, roots and rock…

    Queen - A Night At The Opera (1975) (DTS DVD-Audio ISO) [2002]

    Posted By: evaristegalois
    Queen - A Night At The Opera (1975) (DTS DVD-Audio ISO) [2002]

    Queen - A Night At The Opera (1975) (DTS DVD-Audio ISO) [2002]
    DVD Audio Image (.ISO) = 6.70 GB | Complete Scans PDF (800 dpi): 12 MB | 400 Mb RARs
    MLP 6-channel 96Khz/24-bit | PCM 96Khz/24-bit Stereo | DTS 96/24 5.1 channel surround

    Queen were straining at the boundaries of hard rock and heavy metal on Sheer Heart Attack, but they broke down all the barricades on A Night at the Opera, a self-consciously ridiculous and overblown hard rock masterpiece. Using the multi-layered guitars of its predecessor as a foundation, A Night at the Opera encompasses metal ("Death on Two Legs," "Sweet Lady"), pop (the lovely, shimmering "You're My Best Friend"), campy British music hall ("Lazing on a Sunday Afternoon," "Seaside Rendezvous"), and mystical prog rock ("'39," "The Prophet's Song"), eventually bringing it all together on the pseudo-operatic "Bohemian Rhapsody."