Will O' the Wisp is the sixth studio album by Leon Russell. The album was released in 1975 on Shelter Records. It peaked at No. 30 on the Billboard albums chart and remained on the chart for 40 weeks. The album cover was designed and illustrated by artist/actor Gailard Sartain.

Lifeline is the second album by the California soft rock group Pablo Cruise. Released in 1976, the album reached No. 139 on the Billboard Top LPs chart in the United States. In 1977, Barbra Streisand recorded "Don't Believe It" with mostly different lyrics for her album Superman.

After having recorded Mozart’s last three violin concertos in 2014, Arabella Steinbacher, the Festival Strings Lucerne and its leader Daniel Dodds now complete the cycle by presenting Mozart’s less well-known, but equally enchanting Violin Concertos 1 & 2, together with his Adagio in E Major and Rondos in C Major and B-flat Major.

Ludwig van Beethoven left only a few works for the string trio, and, unlike his quartets, they are played far too seldomly. The Trio Boccherini now presents a complete recording of these trios on the GENUIN label to draw attention to this. The program includes Beethoven's first two works in this genre, the Trio op. 3 and the Serenade op. 8.

Samira Spiegel is an exceptional talent: she has won prizes at international competitions on both the violin and the piano! With GENUIN, she now presents an exciting album featuring music for both instruments inspired by Bach. On the piano, the works range from Franz Liszt's "Fantasie und Fuge" to Busoni's adaptation of the "Chaconne" and Francis Poulenc's "Waltz Improvisation" to Damian Scholl's "une fleuve tranquille" from 2013.

To call Smoking Popes merely pop-punk would be a grotesque disservice – they've been excelling at it for years. The problem is the image such a description (or genre name) conjures: a mediocre group who plays a fifth as well as the bands who founded punk in the '70s, with lyrics that are dim-witted, simplistic, dull, or immature, and tunes that are stiff, forced, and/or plain.

The present album showcases works by Daniel-Francois Auber and Andre Ernest Modeste Gretry. New Orleans was one of the first cities in the U.S. to embrace opera on a significant level. New Orleans was well-noted for it's French Opera House in the 19th Century.

Mary Hellmann presents a program of works by Beethoven, Scarlatti, Christopher Cook, Thomas Harrison, and James Paul Sain. Mary Hellmann studied first at the University of Louisville before receiving Masters degrees from the University of Illinois and her DMA from the University of Alabama. Is Chair of the Department of Music at Chowan University. In addition to this role, she teaches various piano courses and maintains an impressive performing and recording schedule. The title track, Firebreak by James Paul Sain, was written specifically for Mary Hellmann.

All four American composers on this new album by the Basque National Orchestra and conductor Robert Trevino wrote music that was known, played and esteemed during their lifetimes, but none of them ever had a huge 'hit': the pieces here are likely familiar only to musical scholars.

The award-winning duo ensemble formed by Christian Tetzlaff and Lars Vogt are returning to the masterworks of European chamber music with this new album that includes Ludwig van Beethoven’s (1770–1827) three violin sonatas Op. 30. The expressive and intimate chamber music recordings by the star duo have gathered numerous awards and their previous album also received an ECHO Klassik award in 2017.

Performed here by pianists Jenny Lin and Adam Tendler, Liszt’s rarely heard Harmonies poétiques et religieuses is a sublime example of Liszt’s early compositions. Lin and Tendler alternate movements of this monumental piano cycle. 'We’re raised on this stuff. It’s in our bones. And now we can come at this music with a different kind of lens.' — Adam Tendler 'This is definitely a very private Liszt, one who’s retreated to his inner self.' — Jenny Lin

Antonio Pompa-Baldi plays his solo piano arrangement of Respighi's B minor Violin Sonata, a dramatic work from his later period.

The Silver Trio brings together three composers of very different origins and epochs for its latest release. The young Ludwig van Beethoven, who came from the piano as a soloist, dared to take his first steps towards chamber music in 1794 by expanding the line-up to include two string instruments - and thus created epoch-making masterpieces that raised the equality of the three instruments to a new level.

Dances are among the valuable “raw materials” that composers of all epochs have incorporated into their works. Baroque suites are based on dance forms from various countries, classical symphonies usually contain a minuet or a dance movement, and in the nineteenth century, composers of emerging musical nations not only made use of folk songs, but also, and above all, of the dances of their native regions in order to form an independent language.

Gregor Joseph Werner (1693-1766), a major figure at the birth of Viennese classicism, has until now remained in the shadow of music history. His rich compositional art was directly rooted in the late baroque style, whilst also drawing from much earlier sources as well as pointing far ahead into the romantic era. Firmly anchored in the great contrapuntal tradition, Werner underpins the gripping progressivity and expressivity of his tonal language.