Improvising sonic adventurers, weaving psychedelic tales across the cosmic tapestry of the Orangeverse. It’s all an illusion. Might as well be the imagination of an orange.

Improvising sonic adventurers, weaving psychedelic tales across the cosmic tapestry of the Orangeverse. It’s all an illusion. Might as well be the imagination of an orange.

Improvising sonic adventurers, weaving psychedelic tales across the cosmic tapestry of the Orangeverse. It’s all an illusion. Might as well be the imagination of an orange.

Improvising sonic adventurers, weaving psychedelic tales across the cosmic tapestry of the Orangeverse. It’s all an illusion. Might as well be the imagination of an orange.

Improvising sonic adventurers, weaving psychedelic tales across the cosmic tapestry of the Orangeverse. It’s all an illusion. Might as well be the imagination of an orange.

The soundtrack to the 2025 musical drama "Kiss of the Spider Woman" is a collection of songs written by the legendary duo John Kander (music) and Fred Ebb (lyrics), and also includes the original film score by composer Sam Davis. The vocal performances are delivered by the film's lead actors: Jennifer Lopez, Diego Luna, and Tonatiuh. The album features well-known compositions from the Broadway production as well as three previously unreleased songs, including the singles "Never You" and "I Will Dance Alone."The film, directed by Bill Condon, is an adaptation of the 1993 Broadway musical of the same name and the novel by Argentine writer Manuel Puig. The plot unfolds in an Argentine prison in the 1980s and tells the story of two cellmates: Luis Molina (Tonatiuh), a gay window dresser, and Valentín Arregui (Diego Luna), a Marxist revolutionary. Molina escapes the brutal reality by recounting the plots of films starring his favorite movie diva, Aurora (Jennifer Lopez), who appears as the Spider Woman.

Improvising sonic adventurers, weaving psychedelic tales across the cosmic tapestry of the Orangeverse. It’s all an illusion. Might as well be the imagination of an orange.

“Encounter” is a colorful term. The English word stands for encounter, meeting, collision, unexpected, touch. Our program also speaks of this diversity of meaning. It lives from vital exchange, from resistance, dangers and surprises, and not least from risk. Our soloist commissioned three of the pieces specifically for this purpose. They were tailor-made for him, although not bite-sized. On the contrary: they challenge you and want to leave your comfort zone.

With Pharoah Sanders’ blessing, we present the definitive, remastered version of PHAROAH, his seminal record from 1977, in an embossed 2 LP box set. Alongside the original record, we’re including two previously unreleased live performances of his masterpiece, “Harvest Time".

RRO, the worlds greatest symphonic rock show, is a legacy rock Super Group that features some of the finest musicians in rock history! The new RRO record “In Times Of Olde” features performances by artists from legendary rock bands like AC/DC, YES, Heart, Guns N’ Roses, Black Sabbath, Whitesnake & Foreigner, including 2 Rock and Roll Hall of Fame inductees! Renaissance Rock Orchestra’s music combines elements of classic rock, progressive metal and symphonic influences into a highly energetic and beautiful blend of powerful, spellbinding rock majesty.

Neil Gaiman and Australia's FourPlay String Quartet are pleased to announce their first album together. Nestled alongside these original works are new poems and stories of Neil's crafted with FourPlay's music, two "covers" of songs from Neil's previous projects and an instrumental inspired by Neil's work. The album is a gorgeous, ground-breaking and genre-bending collaboration between an iconic author and a singular musical ensemble. Part songwriting, part poetry, part story-telling; all-encompassing, all-engaging, all beautiful.

The swedish Queen of soft and intense folk music is back with a new album. With ‘The world ain’t pretty’ she is on one side following her path of fragile, intimate songs with a melancholic twist. On the other side it is clear that the songs are little bit more ‘lighter’ less melancholic than before.

Artists releasing multiple volumes of work over a short period of time has become more of a thing in recent years, and even when the output is consistently of the highest quality, it can be frustrating for the listener trying to gauge how a release fits within a single oeuvre, or how that oeuvre fits in within the greater artistic landscape. For sure many artists won't really care - but the fact remains that in all but the rarest of cases (and there are defo exceptions) a creative braindump makes a single body of work less memorable, more throwaway.

Abdul Karim Khan’s familial musical lineage is thought to have extended back to the end of the 16th century to Dhondu Nayak, a Hindu musician who was active in Gwalior and to a family of Sufi qawwali devotional singers and sarangi players who began as folk musicians and refined their music over generations. He was born Nov. 11, 1872, the eldest of four siblings to a Sunni family in Kairana in Uttar Pradesh. For at least 250 years, through a complex network of familial relations, Abdul Karim Khan’s family handed down the technology of music, from elder to younger, one note at a time.

Mike Cooper fashions a heartfelt ode to the much missed Lol Coxhill here, enlisting a raft of soprano sax players to pay their respects to the free-improv great's overwhelming influence.