Naturally, the unified construction of MANTRA is a musical miniature of the unified macrostructure of the cosmos, just as it is a magnification into the acoustic time-field of the unified micro-structure of the harmonic vibrations in notes themselves

Stockhausen, from the attached sleeve text

Antonio Vivaldi - Viola d'amore Concertos
Classical, Baroque | 1 CD | EAC | FLAC, CUE, LOG | Scans | 342 MB | RS
Recorded: 12-14 Feb. 1995, Rosslyn Hill Unitarian Chapel, Hampstead, London, UK
Released: 2004 [1995] | Label: Hyperion/Helios CDH55178 | TT: 67:18
Catherine Mackintosh (viola d'amore, dir.) - Orchestra of the Age of Enlightenment

Mackintosh, on top form, acts her role with the utmost virtuosity, lovely tone, unimpeachable intonation, and fine style - with some elegant embroidery. The OAE rise to the occasion, making this splendidly engineered recording one to treasure. […] It has all the advantages that the passing of time can (but does not always) bring in this field in relation to the development of both period performance and of recording technique. (gramophone.net, April 1996)

1967–1970 (widely known as The Blue Album) is a compilation of many of The Beatles' most popular tracks from 1967 to 1970. It was released with 1962–1966 (The Red Album), which covered their earlier period. 1967–1970 made #1 on the U.S. Billboard chart and #2 on the U.K. Album Chart. This album was re-released in September 1993 charting at #4 in the UK.

The cover art shows the band once again looking down the stairwell of EMI's Manchester Square headquarters in London; the same pose, camera angle, setting and photographer (Angus McBean) as used for the cover on the Please Please Me and 1962–1966 albums, which used different photos from the same photo session. The image was originally shot for the Get Back album, which later became Let It Be, but in the end the photograph was not used for that project.