The tenth studio album by British progressive rock mainstay IQ shows them at their best,and with a definite edge.Is it possible that a band,like a good wine,can continue to improve with age?Can you possibly top legendary albums such as The Wake,Subterranea or Frequency? After just one listen to IQ´s tenth studio album the answer is a resounding Yes! Without doubt The Road Of Bones is a unique masterpiece,fitting perfectly into the band's impressive body of work whilst adding a new perspective.IQ's secret has always been to evolve their style while maintaining the essence of the band's own unique brand of progressive rock:strong guitars embedded in lush keyboard melodies,a pounding yet still jazz-influenced rhythm section and the distinctive vocals and unmistakable lyrics of frontman Peter Nicholls.

"Ohio's Miss May I are proud to announce the release of their new record 'Rise Of The Lion' on 28th April 2014 via Rise Records. The band have sold over 150,000 copies of previous albums to date. This is the band's fourth album and the first to be produced by the legendary Terry Date (Pantera, Deftones, White Zombie & Bring Me The Horizon). "Rise Of The Lion is a big step forward for our band. It's our most diverse record by far. The main goal was to create a timeless metal record that defines our band and I believe we have done it." -Levi Benton.

On June 7th, Europe took the stage in their home country Sweden for a very special occasion: celebrating 30 years of rock music. The Swedish rock band celebrated this event together with 30,000 people at the famous Sweden Rock Festival, playing a total selection of 28 songs, picking their personal favourite moments spanning from their earlier years up to their most recent songs taken from albums like “Last Look At Eden” and “Bag Of Bones”; for the lovers of statistics and rarities some of the songs had never been played live before.

Among music lovers Croatian conductor Lovro von Matačić is mostly known as a great Bruckner exegete. However he was a champion in the Eastern Europe music too. His repertoire included symphonic and opera compositions by Tchaikovsky, Janáček, Korte, Smetana etc.

Bruckner - 9 Symphonies - Eugen Jochum (2003) [9CD BoxSet] {Deutsche Grammophon Collectors Edition}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.65 Gb | MP3 @320 -> 1.28 Gb
Full Artwork @ 300 dpi (png) -> 74 Mb | 5% repair rar
© 2003 Deutsche Grammophon | 469 810 2
Classical / Symphony

The reappearance of this DG set means that once again both of Eugen Jochum’s Bruckner symphony cycles are available at the same price level. The EMI cycle was recorded in 1975-80 with the Dresden Staatskapelle, while DG’s was taped primarily in the 1960s with the Bavarian Radio Symphony and the Berlin Philharmonic. There’s little to choose between the two interpretively, as Jochum pretty much maintained his individualistic approach to Bruckner throughout his career. So, take away the uniquely burnished tones of the Dresden brass and for the most part you’ve got two identical cycles (type Q2340 in Search Reviews for a detailed appraisal of the EMI set, as released by Musical Heritage Society).

Roxette - It Must Have Been Love
EAC+LOG+CUE | FLAC: 96 MB | Full Artwork | 5% Recovery Info
Label/Cat#: EMI # CDP 560-13 6380 2 | Country/Year: Germany 1990
Genre: Rock, Pop | Style: Pop Rock, Ballad

"It Must Have Been Love" is a song written by Per Gessle and performed by the Swedish pop duo Roxette. The ballad became the duo's third #1 hit in the United States, and is one of their best-selling releases, leading the single to be certified gold in a number of countries. The song was included on the soundtrack to the popular film Pretty Woman. In 2005, Per Gessle received an award from BMI after the song's four millionth radio play…

Tomzack - Für Ihn gab es nirgends ein Grab mit Blumen
EAC+LOG+CUE | FLAC: 238 MB | Full Artwork: 31 MB | 5% Recovery Info
Label/Cat#: Bluenoise Records # - | Country/Year: Germany 2010
Genre: Rock, Electronica | Style: Prog Rock, Psychedelic, Krautrock, Noise Rock

…Leicht angezerrter, gerne auch kosmisch knispelnder Krautnoise geht in sphärischen Electrokaskaden auf, stets geerdet durch überraschend stringente Songstrukturen. Denn bei aller Freude am Experiment verlieren sich Tomzack nie in den verlockenden Labyrinthen des psychedelischen Freak-outs. Vielmehr bereitet das Resultat auch ohne Psilocybin im Hirn beim Hören ähnlich upliftenden Genuss, wie ihn die Musiker bei der Arbeit verspürt haben mögen. Und ein solches Resultat ist bei derlei Projekten rar und kostbar…