Very interesting hard rock, it is strange that did not really izvestnym.ervy album, of course, is pretty standard, although very high quality, "hard", but the second is very even and very interesting … There clearly vnezhanrovye elements. Many such tracks as "Strada Del Sol" and "Ride The Wind" catchy soul and want to listen to again and again.

At first listen, Halifax, Nova Scotia-based singer/songwriter Jill Barber sounds like merely the latest in a lineage that stretches back at least as far as her fellow Canadian Joni Mitchell. Her debut album For All Time is a familiar blend of folk, country, soft rock, and occasional torchy jazz influences, along with one oddball ringer, the Melanie-style Tin Pan Alley throwback (complete with tootling clarinet!) "When I'm Makin' Love to You." That playful tune is an early indication that Barber isn't interested in being just the next Norah Jones, and closer listens reveal a stronger talent…

Another stunning release from Anne Bisson! Intimate and silky vocals, backed by expert musicianship. Canadian jazz vocalist/pianist Anne Bisson returns with her sophomore album, Portraits & Perfumes. Featuring covers from legendary artists such as Pink Floyd, The Beatles, Carole King, along with two new musical gems written by Anne, this album is an audiophile must have! Anne is joined again by some of the best jazz musicians in Quebec and by legendary producer, conductor, and arranger Guy St-Onge. Recorded at St-Onge's Reference Studio in St-Calixte, Quebec, Canada. Portraits & Perfumes is an opus of jazz standards featuring expansive, original arrangements and covers…

Jørgen Jersild - Ensemble MidtVest - Chamber Music
EAC+LOG+CUE | FLAC: 278 MB | Artwork | 5% Recovery Info
Label/Cat#: Dacapo # 8.226072 | Country/Year: Denmark 2013
Genre: Classical | Style: Early 20th century, Contemporary

"The music on this CD confirms the special position of the composer Jørgen Jersild (1913-2004) in Danish music. It is captivating chamber music written over a half-century during which the composer underwent great musical development, but at the same time persisted in his own personal style – from the early works from the 1930s and 1940s to the later string quartet showing us a courageous, mature composer seeking out new musical areas."

Badfinger is the fifth album by British rock band Badfinger. The album was recorded in autumn 1973 and released in 1974 on Warner Bros. Records. It was the first of two albums released by the band on the Warner label. The cover art for the album shows a woman wearing a riding outfit and hat from the 1920s and smoking a cigarette in a cigarette holder. Cardboard sleeve (mini LP) reissue from Badfinger features the high-fidelity SHM-CD format (compatible with standard CD players) and 2013 remastering.

No, that price is not a typo. Yes, this is a CD box set of nature sounds, no music included. And, unlike many other "budget" CDs, where you definitely get what you pay for in terms of sound quality, the recordings on these discs are clear and beautiful. If you like nature sounds but don't have a lot of cash, you can pick this box up for the price you would normally pay for ONE disc!
The discs in the box are called "Tropical Rainforest," "Bayou," "Jungle Talk," "Wilderness River," and the sampler. Each features sounds from the particular place described; the sampler includes a short piece from each of the discs plus some others in the "Echoes of Nature" series. It's hard to pick a favorite, but "Bayou," with its bird songs, rumbling alligators, and memorable finale (a frog chorus set against a distant evening thunderstorm) is especially evocative. "Jungle Talk" is great too, but be aware that it is not for relaxing, especially when the howler monkeys start roaring!
Listen and enjoy!

Drift opens with a tune called "Me" which is a bit of a choppy hard rocker with a few melodic tremolo mute patterns that collide into the rock configuration of the chorus, but despite the questionable use of 'what I take I take on the chin' as a vocal line, it's peppy enough to have a little fun with. Once "Empty Air" arrives with that electronic intro that bursts into the big bass lines and guitar grooves, though, you can tell that Flotsam were still pretty settled into the idea of becoming a more commercially viable heavy rock band with only traces of their former selves present in the songwriting; that they were still trying to rise to the shifting landscape of the 90s and unearth some fresh new sound that was going to rejuvenate their following. Not bloody likely when half the album consists of rock songs like "Pick a Window" or the almost Western feeling power ballad "Destructive Signs" (which feels a little like Death Angel's "A Room with a View"), but at least they prove that, in a kinder world, they may have had the chops for the passive, mainstream radio rock audience.