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Live recording of the concert held at the Cave12 in Geneva on November 24, 2018, as part of the Akouphene Festival #2.
The TDK DVD is designed as a showcase for Martha Argerich, recorded live at La Rogue d’Anthéon Piano Festival, but although she dazzles in the coupled Prokofiev, she is very much part of a team in the Beethoven Triple Concerto and indeed in the expressive slow movement it is the cellist Gautier Capuçon whose solo remains in the memory. Alexandre Rabinovitch-Barakovsky, his hair flying, energetically directs vital accounts of the outer movements, with a spontaneous accelerando at the very end of the work…the camera involves the listener compellingly inside the music-making.
Lisa Lynne and George Tortorelli’s heartfelt collection of gentle and soulful music is a follow up or "Volume 2" to their very popular "Love & Peace". Celtic Harps, World flutes, Ukranian Bandura, dulcimer and mandolin make up this sweet journey reminiscent of a mystical fairy tale. Mostly original music with a few most requested traditional pieces.
Dave Valentin at the perfect point in his career – coming off some great initial work on the New York Latin scene, and some key time in the studios – really finding his voice as a leader, with all the best elements of his previous work firmly intact! Dave mixes Latin elements with the soulful fusion sound of the GRP label right in their great early, pre-commercial years – and he gets help here form labelmates Dave Grusin and Bobby Broom, plus Marcus Miller – who all join Dave's combo with a sound that's way hipper than the GRP groove of the smooth fusion years. There's some female chorus vocals at a few points, but also loads of great solo work on flute from Dave – and arrangements are by Valentin, Dave Grusin, and Oscar Hernandez. Titles include "Pied Piper", "Los Altos", "Shamballa", "Dragon Fly", "This Time", and "Seven Stars". CD features bonus 7" mixes of "Pied Piper" and "Shamballa".
Premiere blues rock guitarist Montoya is the only one of his peers with the soulful vocals to match his six-string prowess. Coming In Hot is jam-packed with stellar, unpredictable, spiraling solos played with Coco's signature full-bodied tone, and singing that carries fury and passion equal to his powerhouse fretwork.
Herd of Instinct’s fifth album, Incantation, is the band’s most dynamic and radical release yet. The music explores the band’s progressive rock vocabulary mixed with excursions into densely layered post-rock compositions and hybrid orchestral styles. Incantation moves through pieces that fit neatly with the band’s previous work. The band also travels into new areas that take their music into new directions. It’s this “otherness" that makes this collection such a unique and challenging album. The minimal orchestral piece Myth and Ritual is a homage to avant-auteur Scott Walker, written a short time after his death, that references his stark and brutal compositional style. The two-part title track is a trip into avant-prog featuring a superstar list of players who help produce one of HOI’s most adventurous pieces. This is also the first album that features vocals since their self-titled debut release, back in 2011.
Many fans of Freddie Hart's sexy '70s love songs may not realize that his recording career began way back in 1953 when he was an aspiring honky-tonker and songwriter. Juke Joint Boogie is a 33-track anthology that looks at the early years of Hart's career when he recorded with producers Ken Nelson and Don Law at Capitol and Columbia Records, cutting straight country as well as hybridized songs intended to catch some of the pop market. Juke Joint Boogie offers an extended but incomplete survey of Hart's recordings from 1953-61, omitting dozens of tracks in spite of its generous program.
Once in a while a record goes back to free improvisation fundamentals: musicianship, experience, synergy, and most of all proportions, dosage. Quicksand, a jazz-based improv trio date, has it all. You can't ask for more musicianship and experience than that: these are three seasoned improvisers who have worked in many different contexts. Although saxophonist/clarinetist Frank Gratkowski is billed as the leader, all three musicians get equal treatment.
![Ian Carr - Out Of The Long Dark (1979) & Old Heartland (1988) [Reissue 1998]](https://pixhost.icu/avaxhome/30/1a/00701a30_medium.jpg)
"Out Of The Long Dark" is the last album of the second full- fledged stable lie-up Nucleus group (one that had started with Under The Sun) and we're still finding keyboardist Geoff Castle and drummer Roger Sellers, and returning to the fold, woodwind player Brian Smith. Only bassist Billy Kristian is new, replacing the usual Sutton.
"Old Heartland" was only the second album under his own name proper (no link with Nucleus) after 1971's Belladonna, but if his first try was much in the group's soundscapes, "Old Heartland" steps away from it. The album is broken down in two parts, the Third Stream suite and the shorter tracks on the flipside, which still features some Nucleus pillars like Geoff Castle and John Marshall and has Colosseum's Hiseman engineering it on the Abbey Road studios.