Violator is the seventh studio album by the English electronic group Depeche Mode, released by Mute Records on 19 March 1990.
Preceded by the hit singles "Personal Jesus" and "Enjoy the Silence" (a Top 10 hit on both sides of the Atlantic), Violator propelled the band into international stardom. The album yielded two further hit singles, "Policy of Truth" and "World in My Eyes". This album is the first of the band to achieve the Top 10 on the Billboard 200—reaching No. 7—and staying 74 weeks in the chart. It was supported by the World Violation Tour. As of 2010 Violator had sold more than 4 million units in the United States.

Mr. Bad Guy is the first solo album from Queen singer Freddie Mercury. Released in 1985, during a period in which Queen were on hiatus from recordings, the album contains eleven songs, all written by Mercury.

Zabriskie Point is a soundtrack album to the Michelangelo Antonioni film of the same name. It was originally released in January 1970 and is composed of songs from various artists. A 1997 re-release includes four bonus tracks each from Jerry Garcia and Pink Floyd that were used in the film, but not the original soundtrack. Jim Morrison of the Doors wrote the track "L'America" for the film, but was rejected by Antonioni ("L'America" was later released on the Doors album L.A. Woman). A Rolling Stones track, "You Got the Silver", is featured in the film but not present on this album.

Urban Verbs - Early Damage
FLAC | Artwork | 24Bit 96kHz: 876 MB | 16Bit 44.1kHz: 277 MB
Cat#: Warner BSK 3533 | Country/Year: US 1981
Genre: Post Punk, New Wave | Hoster: Uploaded/Filesonic

In 1977 Urban Verbs rehearsed in the Atlantis Bldg at 930 "F" St. NW Washington D.C.. Robert Goldstein began to book bands in a derelict bar in the building named The Atlantis Club: which was where Urban Verbs played their first shows and became a nexus of the DC New Wave / Punk rock scene. In 1980 the Atlantis Club became the 9:30 Club. Urban Verbs played CBGB’s in 1978 with the Cramps and producer Brain Eno was in the audience. The band received numerous positive reviews in the New York Times, the Washington Post, and the City Paper among others. Urban Verbs became the darlings of the DC avante garde art scene playing numerous shows at the Washington Project for the Arts, DC Space, the Pension Building and the Corcoran School of Art.