All the World's a Stage is a double live album by Canadian rock band Rush, released in 1976. The album was recorded at Massey Hall in Toronto on June 11 through 13 during their 2112 tour

Jazz pianist David Hazeltine was born and raised in Milwaukee, making his professional debut at age 13 and going on to gig extensively in Chicago and Minneapolis as well. Serving as the house pianist at the Milwaukee Jazz Gallery, he backed luminaries including Eddie Harris, Sonny Stitt and Chet Baker, the latter encouraging Hazeltine to further pursue his career by relocating to New York City; arriving there in 1992, he formed his own trio with drummer Louis Hayes and bassist Peter Washington, additionally serving as musical director for Marlena Shaw and playing with Slide Hampton's Jazz Masters Big Band as well as the Carnegie Hall Jazz Band. With tenor saxophonist Eric Alexander, Hazeltine also helmed the group One for All; as a headliner, he made his debut in 1995 with Four Flights Up, followed two years later by The Classic Trio. He resurfaced in 1998 with How It Is, issuing The World for Her the next year. Blues Quarters, Vol. 1 was released in August 2000. ~ Jason Ankeny, All Music Guide

More than just a concert recording, Beirach's performance at Maybeck is a snapshot of the artist in a moment of creation. Not yet an elder statesman, but no longer a newcomer to the world of jazz, Beirach stands now at a plateau, from which he can look back on the traditions that defined his early development - the textural genius of Miles Davis, the technical rigors of European classical repertoire, the probing harmonic imagination of Bill Evans - while also mapping the horizons of his own distinctive style. (Source: jazzprofiles.blogspot.com)

Eftalya was born in 1891 in Istanbul and died in the same city in 1939. She is the daughter of a Greek-born Ottoman army officer by the name of Yorgaki Efendi, who was also a music lover or an amateur musician. About her teachers in music and how she became a trained musician, we do not know. "Deniz Kızı", which means "mermaid", was her epithet by which she was known throughout her musical life. The epithet has an interesting story…

Italian theater and opera has had a profound effect on Turkish culture in the past century. Like the terminology ofseamanship, the terminology of music and theater derived from Italian. In the argot of the improvisational theater of Istanbul the stage was called "sahano", backstage was referred to as "koyuntu", backdrops depicting countryside were "bosko", the appiause was "furi" and the songs sung between the acts and plays were called "kanto".