Steve Kuhn is generally not thought of as a solo pianist because he has rarely recorded in that format, but this 1990 concert at Maybeck Recital Hall is one of his most memorable releases.
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This very satisfying concert CD is well-worth acquiring. ~Ken Dryden, allmusic.com

This is the Second Volume of The Complete Edition of The Works for Solo Harpsichord recorded by Trevor Pinnock.
Pinnock chose a mellow instrument here, making his stylish, crisply rhythmic performances even more attractive. Excellent recording.

Slonovski Bal breathes a wind native to the central European Balkans. A perfumed wind blended with the centennial epic of the Gypsies and a unique mix of European, Slavish, Turkish and Mediterranean cultures. For the past ten years, Slonovski Bal have been setting the stage on fire, surprising with the singularity and authenticity of his music. Burning with the energy of a everchanging tradition, each member brings their unique musical background in order to create a decisively modern sound.

From the notes: "The Recordings: APR's third and final volume devoted to Egon Petri's recordings from 1929-42 features Chopin and that unique pioneering body of recordings devoted to the music of his mentor and friend, Busoni. Also present are the titles which did not lend themselves to inclusion in previous volumes, notably Petri's haunting renditions of Schubert-Tausig and Gluck-Sgambati plus a major César Franck score of which he was inordinately fond." by Bryan Crimp

Abba took a risk by launching this 1975 album (their second) with "Mamma Mia." How do you possibly follow that up? Simple–wait two songs and then zoom into "SOS," one of the best pop songs ever written. The rest of the album does not quite reach those dizzying heights, but it's strong nevertheless. Abba is all over the map, as if the band was still putting the finishing touches on its identity. Some songs, most notably "Hey, Hey Helen" and "Rock Me," are sustained by classic glam, Gary Glitter-like riffs. There's also the neoclassical, quasiprog instrumental "Intermezzo No. 1." This CD's two bonus tracks include the rather banal "Crazy World" (the B-side of the "Money, Money, Money" single) and the downright bizarre "Pick a Bale of Cotton/On Top of Old Smokey/Midnight Special." The only cover Abba ever recorded, this medley was recorded in 1975 for a German charity album and was remixed in 1978 for the B-side of the "Summer Night City" single. ~ Elisabeth Vincentelli