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Stateless' first album for Ninja Tune, Matilda, is out now. The album manages to tie together classic songwriting with rhythmic drive, slatherings of sub-bass and enough electronic interference to satisfy the most anal of glitch-nerds - the results are spectacular.
![Gato Barbieri - Caliente! (1976) [A&M CD 3247, 1986]](https://pixhost.icu/avaxhome/73/26/001a2673_medium.jpeg)
The album on which a fire-breathing revolutionary transformed himself into a smooth Latin love man, under the guidance of producer Herb Alpert and associate producer Michelle (Mrs. Gato) Barbieri. The rhythm tracks are tight and funky in a facile '70s fuzak sort of way, and Jay Chattaway's CTI-inspired orchestrations sound dated and corny. The arrangements conspire to stifle the Third World scream in Barbieri's raw and impassioned tenor sax tone. Yet he still manages to mate the steamy temperament of the tango with upscale funk on covers of Santana's "Europa" and Marvin Gaye's "I Want You." –Rick Mitchell
Myra Melford's studies with avant-bop pianist Don Pullen and idiosyncratic jazz composer Henry Threadgill are reflected in the seamless combination of structure and free improvisation in both her writing and piano playing.
I’m remixing and remastering recordings for the forthcoming Vector Lovers compilation, tentatively titled Electrospective. Tracks undergoing renovation include Girl + Robot, Nightwalking Your Memory, Lake Nocturne, Kissed You By The Fountain and Tokyo Glitterati. The increase in production quality is striking, when played side by side with the original mixes - especially listening on headphones. The compilation features a new track, Floating Point.
All the symphonic works by A. Glazunow (and many of them for the first time) have reached the audience due to the unique series of recordings "Anthology of Russian Symphony Music" made bv the USSR Symphony Orchestra under Evgeni Svetlanov. Each interpretation of the conductor is the result of the profound understanding of Ihe author's concept, inspired by a powerful creative individuality and high performing mastery of the conductor.
The programme presents Glazunov's works created during the two decades. The earliest among them is the orchestral overture "Carnival" (1893).
Thrashgrinder was formed in 2008 and recorded their first MCD entitled ‘Unjustifiable Dice Of Violence’ a year later. They recently signed a deal with the Mexican label American Line Productions that just released their debut full-length ‘Seeds Of Revolution’. The CD contains five out of six tracks from their aforementioned MCD. Expect some Finnish crossover thrash that sounds straight out of the earlier days of the genre. Of course the band doesn't play something innovative but what they do, they do it faultlessly. Fans of contemporary crossover bands like Thrash Core Fanatics should check this one out instantaneously!
SEASON 4 MUSIC FROM THE SHOWTIME SERIES CALIFORNICATION is a joint venture between Scion Music Group and Arrival Records with distribution by Fontana Distribution. This project is supported by Showtime. The album includes 13 tracks specifically chosen for the project that embody the character and feel of the show.
With their debut having earned them more critical acclaim than a holocaust film, the album being named by FBi as ‘one of Australian top ten albums of the decade,’ being given five star reviews like they were canapes at a gallery opening as well as being named best live act by FBi listeners at Sydney’s Music Arts and Culture Awards (the SMACs), Seekae haven’t exactly had a tepid reception, and + Dome would have to be one of the most eagerly awaited local albums of 2011.
Chick Corea's greatest trio or small ensemble very likely is this one, with bassist Miroslav Vitous and drummer Roy Haynes.Their virtuoso level of musicianship and acute listening skills are translated into this stellar recording in Belgrade in 1987.
A perfect summation of the Woody Shaw genius in the 70s – bold, righteous jazz – delivered with a soaring, joyous message that's impossible to deny! By the time of this release, Shaw had matured to a point where he was easily one of the most important voices on the trumpet in his generation – a 70s player who pulled together strands of the previous generation – from Coltrane to Lee Morgan to Larry Young – all wrapped up in amazing music like this!