Tokyo female group Gallhammer was formed in 2003 following their passion for the primitive work of Swiss legends Hellhammer & other metal, punk & crust acts. The End is Gallhammer’s third studio album and evolves further from the foundations of Ill Innocence, with an album of disturbing & dark drone music with a hypnotic bass & drum combination mixed with the band’s raw Black Metal & punk origins. To further enhance the Gallhammer sound, the introduction of saxophone makes the album direction strange with psychedelic experimental sounds of doom.

With their tenth studio album, The Beginning Of Times, these Finns prove once more that there is no other band if it comes to amazing, natural sounding melodies, deep emotions and a bit of unique sonic darkness - powerfully performed with some more really heavy parts this time around. This album will be your soundtrack for both cosy summer nights as well as the following fall and winter season.

A classy tribute by this masterful trio to the great controversial film director, Pier Paolo Pasolini. The trio excels in their interpretations of some of Pasolini’s best known pictures and includes original compositions by Antonio Faraò, inspired by the works of Pasolini. (Source: CAM Jazz website)

Although Gil Evans had gained a lot of acclaim for his three collaborations with Miles Davis in the 1950s and his own albums, this CD contains (with the exception of two tracks purposely left off), Evans's only dates as a leader during 1961-68. The personnel varies on the six sessions that comprise the CD (which adds five numbers including two previously unreleased to the original Lp) with such major soloists featured as tenorman Wayne Shorter, trombonist Jimmy Cleveland, trumpeter Johnny Coles and guitarist Kenny Burrell. ~ AllMusic