Condition Green, a motley band of volume worshipers from Japan whose first two albums, Life Of Change and Mixed Up, can (mostly) stand tall amongst the contemporary classics (prime era Grand Funk, Ted Nugent, Mountain, etc.). Guitarist Shinki (not to be confused with Yokohama guitarist Shinki Chen) in particular is a monster, even if he can get a bit Santana-esque at moments throughout Life Of Change (particularly the back half of "Heart Breaker," and especially on the conga infused "Sugar Baby Good Time.") The group really builds up a serious head of steam on that latter track, starting with a slow, simmering groove that sits somewhere between "Oye Como Va" and "Spooky." You could call this stuff dated, if you're a glass-is-half-empty type, but there's no denying the Allman Brothers boogie of "Trick," or the early Led Zeppelin strut of "Heart Taker."

A great album but one that is also tinged with sadness. Willy's voice sounds weaker than in previous albums, and at times this sounds like his own requiem…

2 CD set with over two hours of mind wasting machine from the last decades. Includes Front 242, DAF, Die Krupps, Nitzer Ebb and many more.

"Lizard" is the third album by King Crimson, released in 1970. It was the second recorded by a transitional line-up of the group that never had the opportunity to perform live, following "In the Wake of Poseidon". This would be the first (and only) album to feature bassist/vocalist Gordon Haskell, apart from his appearance on the song "Cadence and Cascade" from the previous album, and drummer Andy McCulloch as official members of the band.
The record is arguably King Crimson's most jazz-inflected album, developing further in the direction suggested by the track "Cat Food" on the previous album.

"A Foreign Affair" is the story of five guys and their love affair with the music of the world.
This album from the venerable jazz group Spyro Gyra takes you on a journey to the music closest to them from some places in some cases farthest from them.

“Bagpipes but no kilt!” is the motto of the Belgian six-piece Griff. And while bagpipes are a major component of the group’s sound, there’s no bombast or overkill in their usage…

Stuart "Woolly" Wolstenholme left Barclay James Harvest in 1979, and released Maestoso the following year, with a remit very similar to that of his previous outfit. The album is vaguely progressive, but with a strong emphasis on songs, many of them veering sharply towards the 'commercial' end of the spectrum.

The Brown Eyed Girls, often abbreviated as B.E.G., is a South Korean pop girl group managed by Nega Network. The group consists of four members: JeA, Miryo, Narsha, and Ga-In. They've debuted as an R&B/ballad vocal group in 2006 and challenged themselves with different music genres. They rose to popularity in 2008 with L.O.V.E, and cemented their position in the K-Pop world in 2009 with Abracadabra.

More than a decade in the making, Moonroot’s debut comprises years of recordings that took place periodically throughout their career. Born before the large folk metal trend, Moonroot was in pursuit of capturing the old and blending it with the new. Featuring members of the esteemed US medieval ensemble, The Soil Bleeds Black and the soprano voice of Dawn Desiree’ of Rain Fell Within, Moonroot’s debut is a quality showcase of melodic and catchy tracks that will take the listener on an adventure through the ancient past. The use of authentic period instruments coupled with modern ones, brings powerful character to the album. The title track features a guest vocal appearance from Alison O’Donnell of Mellow Candle, one of the most respected early 70′s prog-folk bands of its time. Presented as an Ecowallet CD with cover artwork by Kris Verwimp, “Under the Ancient Oak” offers the perfect blend of folk metal, rock and 70′s prog inspiration!