Celebration Day is a concert film by the English rock band Led Zeppelin, recorded at the Ahmet Ertegun Tribute Concert on 10 December 2007, in London's O2 Arena. The film was given a limited theatrical run starting on 17 October 2012, and was released on several home audio and video formats on 19 November 2012.

Kara (often stylized as KARA) is a South Korean pop girl group formed by DSP Media in 2007. The group is composed of Park Gyuri, Han Seungyeon, Nicole Jung, Goo Hara, and Kang Jiyoung. The group's name comes from the Greek word "chara", which they interpreted to mean "sweet melody".

Nine Muses, sometimes stylized as 9MUSES, is a nine member South Korean girl group under the Star Empire Entertainment music label. The group debuted in 2010 with the single "No Playboy" and a first single album, Let's Have a Party.

This is the seventh and last Wigwam studio album for this time, because after the release of this album, they just fade away as a group, and they made their last Scandinavian tour in December 1977.

Kscope are pleased to announce the new album from Ulver, composed and recorded with Tromsø Chamber Orchestra .The music was commissioned last year by the Tromsø Kulturhus (House of Culture) in Norway, in a cooperation with the Arctic Opera and Philharmonic Orchestra cultural institution. It was composed and first performed live by Ulver, alongside the Tromsø Chamber Orchestra on September 21 2012. The band then took the recordings back to Oslo and spent winter and spring in post-production, honing the material for its studio-equivalent.Six compositions altogether written and produced, recorded and mixed by Ulver, this time consisting of Ole Alexander Halstensgård, Kristoffer Rygg, Jørn H. Sværen and Tore Ylwizaker, with additional aid and advice from composer Martin Romberg who also arranged the music for the 21 members of Tromsø Chamber Orchestra. The album also features the extraordinary talents of contemporary composers/musicians Ole-Henrik Moe and Kari Rønnekleiv.The Norwegian masters have evolved over the past two decades to cross an astonishing body of disciplines, taking in ambient, avant-garde, electronic, psychedelic, prog and jazz influences. Now it is their electronic, atmospheric and classical sensibilities which come to the fore. In a short message to their fans – subtly alluding to the darkness of history – the band named some of their influences for Messe I.X–VI.X

This is a rather brisk reading of Brahms' masterpiece, the most ambitious work in his output, one of the greatest compositions of its type. When I listen to this piece, I often sit numb, in awe of its profound beauty, of its emotional range and intellectual depth. I hadn't heard it for some time, so this recording occasioned a most welcome reacquaintance. Though Herreweghe's tempos often pushed the music to its limits here (except for the first section), the performance never actually sounded fast, or at least not offensively fast. In fact, it challenges my previous favorite, the Levine/RCA.