| Su | Mo | Tu | We | Th | Fr | Sa |
|---|---|---|---|---|---|---|
| 26 | 27 | 28 | 29 | 30 | 31 | 1 |
| 2 | 3 | 4 | 5 | 6 | 7 | 8 |
| 9 | 10 | 11 | 12 | 13 | 14 | 15 |
| 16 | 17 | 18 | 19 | 20 | 21 | 22 |
| 23 | 24 | 25 | 26 | 27 | 28 | 29 |
David Pajo’s latest album as Papa M is wistful and poignant, like all his work. But it ultimately feels hopeful rather than weary, upbeat rather than defeated.
Formed in 2009 in Copenhagen, Denmark, the Foreign Resort has spent 10 years creating and honing an explosive yet melancholy post-punk sound that is as rich as it is exciting, and as immediate as it is dark and deep. The band combines the shadowy mysticism of The Cure's Pornography era with a driving production aesthetic akin to LCD Soundsystem. Intricate reverb-enveloped guitar lines glide over Steffan Petersen’s bass and Morten Hansen’s powerful drumming, all while Mikkel Borbjerg Jakobsen’s taut and sincere vocal delivery demands attention.
Ange rediscovered their prog credentials in the 2000's after,by their high standards,some less than essential releases in the 80's and 90's.This one from 2010 marks a heavier and more intense direction,continued with 2012's Moyen Age…
The press enthusiastically declared this Barber of Seville a “firework display of exhilarating comedy” and praised the "unforced liveliness" of the cast. EuroArts releases this highly acclaimed staging of one of the most popular operas ever written. Vesselina Kasarova is the undisputed star of this production – she shines musically and dramatically in the part of Rosina, one of her signature roles, which she has since been invited to sing in many major opera houses from Vienna to New York.
![Bob Marley & The Wailers - Uprising Live! (2014) [2CD] {Eagle Rock}](https://pixhost.icu/avaxhome/90/20/00352090_medium.jpeg)
The Uprising Tour ran in Europe from May 30th to July 13th 1980 with five further dates in the USA in September. It was Bob Marley s last tour before his tragically early death in May 1981 at the age of just 36. The tour was in support of the Uprising album released on June 10th 1980. A few days later on June 13th the live show from Dortmund s Westfalenhalle was filmed for the famous German music TV series Rockpalast and is presented here on DVD and CD for the first time with footage restored to the best possible quality. Bob Marley and the Wailers are on superb form and deliver a set of hit singles and classic album tracks. Marley s energetic, charismatic performance gives no indication that he was already ill with the cancer that would take his life less than a year later.
Sentido may offer a better portrait of Eddie Palmieri than any of the compilations. "Puerto Rico" is typical of his anthemic, crowd-rousing capability. "No Pienses Asi" is an affecting ballad that rivals those of musicians considered more as singers than Palmieri. "Condiciones Que Existen" is just funky enough to sound like an outtake from the great Harlem River Drive album. "Adoracion" begins spacily but soon becomes, over the course of nine delicious minutes, a hefty jam. "Cosas del Alma" is another ballad. It may be only a half hour of music, but no one will miss the filler. The liners credit Palmieri's fasting as an ingredient in his success; clearly he understands the importance of "leaving them hungry for more."
Applying their famous two-fer philosophy to the digital era, Fantasy combines Mighty Mongo and Viva Mongo! on a single CD, showcasing two somewhat different slants on Mongo Santamaria's music during a period of exploration. Mighty Mongo leans more to Mongo's jazz side without sacrificing his Afro-Cuban rhythmic base, while Viva Mongo has a more distinctly ethnic Cuban sound with Rudy Calzado's solo vocals and the band's group chanting, Rolando Lozano's wooden flute riding playfully above the ensemble, and the traditional Cuban use of string counterlines.
Faure-lovers have long prayed for reissue of the two sonatas from Grumiaux and Paul Crossley. And they won't be disappointed. The sound itself is pleasing. And there is a radiance in the playing suggesting an unerring understanding of structure and style that somehow goes hand in hand with the joyous spontaneity of new discovery. The hyper-sensitive suppleness of Grumiaux's shading and phrasing is a particular delight, as is his awareness that just as much of the musical message comes from the piano particularly in the Second Sonata.
When Sly and The Family Stone were still taking us higher in 1973, their appearance on Don Kirshner's Rock Concert TV show also confirmed a new phase in their career. Appearing with the spin-off venture Little Sister, the collective muscle of the Family Stone provides a prized selection of songs spanning their past five albums and latest hit If You Want Me To Stay. This performance offers fans a rare treat for the ears, capturing the hallmark charisma and flamboyant presence of a legend. Rox Vox proudly presents the entire performance of Sly and The Family Stone, live on Don Kirshner's Rock Concert from 9th October 1973.
It is wonderful that Wolfgang Amadeus Mozart is experiencing a surge of support in 2006, the 250th anniversary of his birth. For many listeners, it is a matter of embracing what is already out there in terms of Mozart's music, certainly not all of the 800-plus compositions that have come down from his prodigious pen, but generally of the 25 or so works that constitute his "hits." Nevertheless, these pieces are so prevalent that one cannot be blamed for wondering what is "new" that Mozart has to offer. One could dig into his canons, opera aria inserts, and other obscurities in search of undiscovered jewels, and truly, there are some remarkable and fulfilling items to be found there.