Released in Europe on Castle Communications and distributed in the U.S. on Domino Entertainment, a label founded by producer Rob Fraboni, the album's tracks were all shuffled into a different order except for "A Little Bit of Love," "It Don't Come Easy," and "Use That Power." An oddity, but you could put the CD in your player on the shuffle setting and it would remain one of journeyman Alvin Lee's finest statements. The stellar track here is "Real Life Blues," which hit in spots around the states, notably in Texas and in Massachusetts.

Sweet Dreams is the second release for Telarc by modern soul singer Mighty Sam McClain. On these 13 tracks, McClain delivers a powerful mix of originals and covers similar to one of his greatest influences, Bobby "Blue" Bland. Recording at the legendary Bearsville Studio in Woodstock, NY, McClain utlized his regular band of Kevin Belz (guitar), Bruce Katz (piano), Barry Seelen (Hammond B-3), Tim Ingles (bass), and Jim Arnold (drums) along with the addition of the Mighty Horns on several cuts, giving the album an extra funky edge.

The new era begins in 2011 when the band gets together again in a slightly altered line-up. Clive, Mick and John Mitchell are once more joined by their old Arena pal, John Jowitt on bass! The question of a new vocalist is widely discussed by the fans and the eventual announcement of the choice of Paul Manzi, meets with enthusiasm and appreciation. The release of The Seventh Degree of Separation in 2011 confirms that the lineup is strong and Arena is in great shape! The Seventh Degree of Separation dwells on the subject of death and explores Frigyes Karinthy’s theory of Six Degrees of Separation expanded by the seventh degree, which, according to Clive, would link the living to the world of the dead. The release of the album is followed by the European tour during which some of the new material is presented in combination with Arena’s greatest classics.

Her debut album "Piece of My Soul" made a significant impact on the contemporary jazz scene, earning her the title of 'Best New Artist' at the Smooth Jazz Awards. Cole's unique blend of jazz, soul, and pop, coupled with her powerful vocals, has made her a favorite among jazz enthusiasts. Over the years, she has collaborated with some of the industry's most respected artists, further solidifying her standing in the music world. Cole's passion and dedication to her craft are evident in every performance, making her concerts a must-see for any music lover. Stay tuned to ConcertFix for updates on Khani Cole's upcoming performances. Experience the magic of her music live and immerse yourself in the enchanting world of jazz.

Florence + The Machine releases their highly anticipated 6th studio album Everybody Scream. The band around frontwoman Florence Welsh has become an integral part of the global music scene! With seven Grammy nominations, multiple platinum and gold awards, five top 10 placements in the German album charts and more than 1.5 million records sold in Germany, Florence + The Machine is one of the most influential bands of the last decades. In the past, the band has worked with music greats such as Taylor Swift ("FLORIDA!!!"), Lady Gaga ("Hey Girl") and Calvin Harris ("Sweet Nothing"). The group became known for Florence Welsh's powerful vocals and their theatrical and often mystical sound, which delicately combines elements of art pop, indie rock and baroque pop. In their music, Florence + The Machine explores themes such as love, death and pain and draws inspiration from the art and literature of the Renaissance.

This Scottish heavy AOR quartet was put together in 1985 by brothers Ian (guitar) and David Stewart (bass) after demise of China White. With Jim Drummond (drums) and Tony Liddell (vocals), they debuted with a self-titled album in 1985. This offered a blend of Americanized, melodic AOR comparable with the work of Boston, Journey or Kansas. Produced by Kevin Elson (of Journey fame), it surpassed many expectations, but was ignored by the British public. Terry Brock (from Atlanta, USA) replaced Liddell on Native Sons, which saw the band consolidate their style and progress significantly as songwriters. It remains one of the sadly neglected albums of the pomp-rock/AOR genre. Walk In The Fire was not as immediate, with Brock’s vocals sounding hoarse and less sophisticated. He left to audition for Deep Purple in 1989, but was unsuccessful. Further albums were released with Ian Stewart on lead vocals.