Miss Winters is a dancer with the Tommy Dorsey Orchestra and is asked to secretly transport a prototype magnetic mine to Puerto Rico. She thinks that she is working for the US Government, but fails to see why she would be involved. The enemy agents got the plan from a pulp novel written by Kibble, who is also on the ship and falls for her. But then she overhears his new novel and believes that he is talking about her. So when they leave the boat, she ignores him, but somehow, the bags get switched and he gets the magnetic mine - which she must later retrieve. It is mainly a Tommy Dorsey showcase with Sinatra singing - Powell dancing - and a small plot.

It's the same old classic Charles Dickens story with an all star Disney cast. Uncle Scrooge McDuck is appropriately enough Scrooge and is visited by his dead partner and 3 spirits one night to remember the joys of Christmas.

Lovely Linda Mason has crooner Jim Hardy head over heels, but suave stepper Ted Hanover wants her for his new dance partner after femme fatale Lila Dixon gives him the brush. Jim's supper club, Holiday Inn, is the setting for the chase by Hanover and manager Danny Reed. The music's the thing.

At the Macy's Department Store Thanksgiving Day parade, the actor playing Santa is discovered to be drunk by a whiskered old man. Doris Walker, the no nonsense special events director, persuades the old man to take his place. The old man proves to be a sensation and is quickly recruited to be the store Santa at the main Macy's outlet. While he is successful, Ms. Walker learns that he calls himself Kris Kringle and he claims to be the actual Santa Claus. Despite reassurances by Kringle's doctor that he is harmless, Doris still has misgivings, especially when she has cynically trained herself, and especially her daughter, Susan, to reject all notions of belief and fantasy. And yet, people, especially Susan, begin to notice there is something special about Kris and his determination to advance the true spirit of Christmas amidst the rampant commercialism around him and succeeding in improbable ways. When a raucous conflict with the store's cruelly incompetent psychologist erupts, Kris finds himself held at Bellevue where, in despair, he deliberates fails a mental examination to ensure his commitment. All seems lost until Doris' friend, Fred Gaily, reassure Kris of his worth and agrees to represent him in the fight to secure his release. To achieve that, Fred arranges a formal hearing in which he argues that Kris is sane because he is in fact Santa Claus. What ensues is a bizarre hearing in which people's beliefs are reexamined and put to the test, but even so, it's going to take a miracle for Kris to win.

The life and times of Quentin Crisp, an outrageous and flamboyant homosexual, coming of age and growing into old age in conservative England.

An animated, magical, musical version of Dickens' timeless classic "A Christmas Carol." The nearsighted Mr. Magoo doesn't have a ghost of a chance as Ebenezer Scrooge, unless he learns the true meaning of Christmas from the three spirits who haunt him one Christmas Eve.

Back in the days of the Roman Empire, a small donkey is born with VERY long ears, that keep getting him into trouble. When his owner throws him out of the stable in disgust, his mother sacrifices her life to save him from a blizzard. And, guided only by his guardian cherub (Tilly), he has to find his rightful place and destiny, somewhere on the road to Bethlehem.

Like many American International films of its era, How to Make a Monster was sold to distributors on the basis of its title alone: only after theatrical play dates had been established did anyone get around to writing a script! Robert H. Harris plays Pete Drummond, who according to the script has been chief makeup man at American-International for 25 years, or approximately 20 years before the studio was actually established. When the studio is sold, Pete is brusquely informed that neither he nor his monster creations – notably the Teenage Werewolf and Teenage Frankenstein – will be required any longer, inasmuch as American International is going to concentrate on musicals from now on. Angered and humiliated, Pete takes revenge on the callous studio heads by hypnotizing a couple of actors (Gary Clarke and Gary Conway) into believing that they're genuine monsters. Under Pete's control, the two thespians begin committing murders left and right, wreaking havoc throughout the American International lot.

Timothy Bartlett (Norman Wisdom) is a middle-aged banker who is sent to a seaside resort for a banker's convention. He fears the meetings will be frightfully dull, but things change when two amorous hippie girls take Timothy for a sail on the sea of love. Timothy goes middle-aged crazy, making a spectacle of himself in hippie clothes as he tries to fit into the swinging scene. Nude dips in the ocean are followed and preceded by wild parties as he tries to recapture the days of his flaming youth. After he feels remorse and embarrassment over his behavior, he calls on his wife to join him at the convention to rekindle their love in this lowbrow comedy. The British rock group The Pretty Things provides the music.

It's 1941. Robert E. Lee Prewitt has requested Army transfer and has ended up at Schofield in Hawaii. His new captain, Dana Holmes, has heard of his boxing prowess and is keen to get him to represent the company. However, 'Prew' is adamant that he doesn't box anymore, so Captain Holmes gets his subordinates to make his life a living hell. Meanwhile Sergeant Warden starts seeing the captain's wife, who has a history of seeking external relief from a troubled marriage. Prew's friend Maggio has a few altercations with the sadistic stockade Sergeant 'Fatso' Judson, and Prew begins falling in love with social club employee Lorene. Unbeknownst to anyone, the Japanese bombing of Pearl Harbor looms in the distance.