Meena Cryle and The Chris Fillmore Band are four talented young artists who create an exceptionally honest and exciting brand of music. Southern Soul, Blues and Rock'n'Roll are the labels most commonly used to describe this stand-out formation from Austria. But the band prefers to avoid clichés and pigeonholing. Their experience on tour and in the studio, both in Europe and the USA, has given them the confidence to follow their own muse. The result is Tell Me, a compelling new album with twelve songs that come straight from the heart.

Following a highly successful series ‘Mendelssohn in Birmingham’, the City of Birmingham Symphony Orchestra with their former Chief Conductor Edward Gardner here presents a new series: Schubert Symphonies.

Legendary multimedia artist David Lynch presents the follow-up to Crazy Clown Time, his acclaimed 2011 solo debut. The 2013 album sees Lynch returning to primary songwriting and performance duties, writing 11 out of the album s 12 tracks. Also included in the lineup is Lynch s signature take on the Bob Dylan folk classic "The Ballad of Hollis Brown, " and a bonus track contribution featuring acclaimed Swedish musician Lykke Li. The Big Dream was recorded over several months at Lynch s own Asymmetrical Studio with engineer Dean Hurley, who also contributes production and instrumentation to the album.

Flying Hórses is the project of Jade Bergeron. Tölt was recorded mostly in Iceland and is filled with the sounds of piano, wurlitzer, celesta, glockenspiel, bells, chimes, music boxes and cello. Elegiac and transportive, she describes her debut as “a journey through memories.” She was invited to play Iceland Airwaves Music Festival in 2015 as well as the world-renowned Festival International de Jazz de Montreal in 2016.

Some of the most challenging keyboard music ever composed in a new recording of consummate artistry.

Jeune artiste installée depuis plusieurs années sur la scène du jazz français, ce nouvel album « Women’s legacy » traite de la maltraitance des femmes. Inspirée du chant des femmes esclaves afro-américaines, leur chant est un héritage, un héritage féminin, l’histoire qui vient résonner encore si fort, ici, ailleurs, celle qui vient frapper à la porte de tellement de femmes aujourd’hui, une histoire qui se perpétue. Revenir simplement à la source de pourquoi je chante, sans me cacher, libérer une partie de mon histoire de femmes.

Black Beauty: Miles Davis at Fillmore West is a live double album by American jazz trumpeter, composer, and bandleader Miles Davis. It was recorded on April 10, 1970, at the Fillmore West in San Francisco, shortly after the release of the trumpeter's Bitches Brew album. Black Beauty was produced by Teo Macero, Davis' longtime record producer. A jazz-rock album, Black Beauty captured one of Davis' first performances at a rock venue during the early stages of his electric period.

Dark Magus is a live double album by American jazz trumpeter, composer, and bandleader Miles Davis. It was recorded on March 30, 1974, at Carnegie Hall in New York City, during the electric period in the musician's career. Davis' group at the time of the concert included bassist Michael Henderson, drummer Al Foster, percussionist James Mtume, saxophonist Dave Liebman, and guitarists Pete Cosey and Reggie Lucas. He also used the show to audition saxophonist Azar Lawrence and guitarist Dominique Gaumont. Dark Magus was produced by Teo Macero and featured four two-part recordings titled after Swahili names for the numbers one through four.

Sir Karl Jenkins presents Symphonic Adiemus, the new album, of epic proportions. Brand new recordings of the greatest moments from the Adiemus series features an extended orchestra of over 100, including over 20 layers of classical and ethnic percussion, and a choir of 80. With judicious use of multi-tracking, there are sometimes over 400 participants heard at any one time.