The debut album from vocalist Quiana Lynell is a feast of soul, gospel, R&B, groove and jazz, 'A Little Love' blooms with songs about searching, trying times, buoyant love, deep reflection and social action. Accompanied by a powerhouse band featuring Cyrus Chestnut on piano, Jamison Ross on drums, Ed Cherry on guitars, George DeLancey on bass and Monte Croft on vibes. Quiana Lynell has been mentored by Terence Blanchard and won the 2017 Sarah Vaughan International Jazz Vocal Competition.

With nonchalant ease, the jazz quintet ROOFER, founded by the Swiss double-bass player and composer Luca Sisera, performs a balancing act between the avant-garde and an awareness of tradition. The band has impressively demonstrated this in their albums “Prospect” (2015, Leo Records) and “Moscow Files” (2017, Leo Records), which garnered considerable praise in the international specialist press. After numerous tours, festivals and concerts, ROOFER has made a name for itself, across national borders and far beyond, as an audacious and playful jazz collective that is keen to experiment.

"Hard Promises" is the fourth album by the Heartbreakers was produced by Jimmy Iovine and Tom Petty and was recorded at Sound City in Van Nuys, CA and Cherokee Studios in Hollywood, CA. Both "The Waiting" and "A Woman In Love (It's Not Me)" were released as singles.

The Heartbreakers' fifth album was also the first to feature Howie Epstein on bass. This album was produced by Tom Petty and Jimmy Iovine and was recorded at four different studios: Record Plant in Hollywood, CA, Wally Heider's in Hollywood, CA, Crystal in Hollywood, CA and Rumbo Studios in Canoga Park, CA. "You Got Lucky" and "Change of Heart" were released as singles.

This album is the Heartbreakers'€™ sixth and featured multiple producers on various tracks including Tom Petty, Mike Campbell, Jimmy Iovine, Dave Stewart, and Robbie Robertson. It was recorded at Gone Gator One Studios, Sound City, Village Recorder, Sunset Sound, and Church Studio, London. "Southern Accents" made it to number 7 on the US Billboard 200 after its release in 1985. Singles from this album include "Make It Better (Forget About Me)", "Rebels" and "Don'€™t Come Around Here No More", which peaked at number 13 on Billboard's Hot 100.

The phantom zone, the parallax, the upside down—there is a rich cultural history of exploring in-between places. Through her latest, Titanic Rising, Weyes Blood, a.k.a. Natalie Mering, has designed her own universe to soulfully navigate life’s mysteries.

The ensemble's confidently-chosen name made it clear from the outset that the Quartetto Italiano saw itself not simply as an Italian string quartet among many, but as the authoritative one. The ensemble was soon recognized as a pioneer of Italian chamber music culture following the Second World War. Through their tireless obsession with detail, in-depth exploration of the works' musical expression, and the remarkable homogeneity of their quartet sound, the Quartetto Italiano conquered a firm place in the top league of leading string quartets over the first two decades of their career.

The new album offers the chance to listen simultaneously to four Stradivari instruments and an Amati cello: The Quartetto di Cremona plays the Stradivarius Paganini Quartet, one of the few quartet "sets" completed by Antonio Stradivari and once owned by the legendary violinist Niccola Paganini. Eckart Runge plays a rare cello made by Hieronymus and Antonio Amati in their Cremonese atelier.

Left unfinished at the death of the composer, Gustav Mahler's Tenth Symphony has exerted an enormous fascination on musicologists as well as musicians. Whether fully orchestrated in specific passages, or a sole melody in others, there is one continuous line throughout the surviving manuscript pages and over the years a number of different completions or performing versions have seen the light of day. One of the latest is this 'recreation' of the work for chamber orchestra by composer and conductor Michelle Castelletti.

One of the main goals of the Sommets Musicaux de Gstaad has always been to give young talents a chance, to help and guide them, reason for which, from the very start, the festival included into its programme a series of concerts given in the Gstaad chapel by promising young musicians of different nationalities playing the same instrument.

Oslo bluesy quintet THE DEVIL AND THE ALMIGHTY BLUES unveil details for their third album ‘TRE’, coming March 29th on Blues For The Red Sun. The band also announced a European tour, including Desertfest appearances and dates with Stoned Jesus and Earthless.