Smokey Robinson's 1979 solo release "Where There's Smoke…", called his "finest album" by Robert Christgau in The Village Voice, includes his biggest solo single, the top five smash Cruisin'. Robinson also modernizes and updates his own song Get Ready, a huge hit for both the Temptations in the 1960s and Rare Earth in the '70s.

For the First Time - Digitally Released As High Resolution Downloads 192kHz/24bit Classic Soul Titles from the Archives of Atlantic Records and Rhino Records. In Mono.

Danny Elfman delivers Bigger. Messier., an ambitious double-album collection of remixed and reimagined tracks from his highly acclaimed Big Mess album.This sprawling, 23 track collection features tracks reworked by some of the most groundbreaking and subversive artists around today.

Poetry and music have often been described as “beautiful sisters” in the European tradition, and American composer Benjamin C. S. Boyle sets out to prove just how harmonious this kinship can be. Owing to pianist and art song expert Laura Ward as well as to a selection of top-class singers, these elaborate yet easily accessible vocal compositions are resplendently brought to life on SPIRITS IN BONDAGE.

TEXTURES IN CLASSICS from renowned pianist and music scholar Sang-Hie Lee explores the rich musical possibilities offered by the piano. To do so, Lee performs works from some of the seminal composers in Western music including Mozart, Beethoven, and Brahms. The album captures Lee’s unique pianism at the height of her maturity as an artist. While contemporary performers often place an outsized emphasis on virtuosic technical skill, Lee’s performances examine the notion of texture in piano music; this ranges from the clean, crisp soundscape of Mozart’s early pianoforte to Beethoven’s exacting technique and lush harmonies. There is little doubt that TEXTURES IN CLASSICS will cement Lee’s legacy as a scholarly-artistic pianist.

Contemporary music needn’t sacrifice order and aesthetic appeal, even when it deals with complex issues. A glowing example of this is BORN: THE MUSIC OF EDIE HILL AND MICHAEL GILBERTSON, with conductor Donald Nally leading GRAMMY-winning professional chamber choir The Crossing on a breathtakingly beautiful expedition into themes of extinctions, relationships and their complexities, loss, and love.

The Giovanni Guidi Trio plays jazz of uncommon originality and reflective depth. On their second ECM album, Italian pianist Guidi, US bassist Morgan, and Portuguese drummer Lobo continue the work begun on the 2011 recording "City of Broken Dreams", with pensive, abstract ballads which shimmer with inner tension. Each of the players has a strong sense for the dialectics of sound and silence. The repertoire is mostly from Guidi’s pen, but also includes the standard “I’m Through With Love”, Cuban songwriter Osvaldo Farrés’ “Quizás, quizás, quizás” (familiar to jazz listeners through, above all, Nat King Cole’s version), and “Baiiia” by João Lobo.

"City of Broken Dreams" is the ECM leader debut of the prodigiously gifted Italian pianist Giovanni Guidi. Guidi has previously appeared on two discs for the label with Enrico Rava – “Tribe” with the Rava Quintet and the live “On The Dance Floor” with the Parco della Musica Jazz Lab band. Now he introduces his new international trio with US bassist Thomas Morgan and Portuguese drummer João Lobo, and a shimmering inner-directed music of striking originality. Lyrical free-floating ballads predominate, and the tunes seem optimally set up to showcase the strengths of his confrères. Bassist Thomas Morgan has as much room to move in this unit as Scott LaFaro had in the Bill Evans trios, or Gary Peacock in Paul Bley’s groups – invited in other words to interact in the foreground of the music. Guidi is generous with his space in these pieces, all from his pen, every one of them turning some unexpected corners.

Released on 7th November, 1969, Pink Floyd’s fourth album Ummagumma is a disorienting head trip of an album: one part live recordings, the other a bizarre, psychedelic and rather cinematic collection of solo experiments. The first disc’s purely instrumental concerts stem from Birmingham’s Mothers Club and Manchester’s College of Commerce and were recorded earlier that year.

After the success of his stunning album ‘Otello’, revered tenor Jonas Kaufmann returns with the sensational new album ‘Selige Stunde’. ‘Selige Stunde’ is the first recital in a small series of recordings that Jonas has made during the Covid-19 crisis.

Multiple prize-winning conductor René Jacobs and the B’Rock Orchestra complete their Schubert cycle on Pentatone with the composer’s two most famous symphonies, the Unfinished and Great. In his extensive liner notes, Jacobs develops a theory that the B Minor Symphony did not remain “unfinished”, but was deliberately left unfinished, because Schubert shaped its two movements in analogy to Mein Traum (My Dream), an autobiographical narration in two parts, written in 1822, simultaneous to the creation of the symphony.

Hot on the heels of its first edition, INVITING WORLDS VOL 2 follows in the footsteps of its predecessor with the rhythmic dexterity and textural nuance of today’s orchestras paired with a new roster of composers. New sounds and expressions burst with emotion and uplift us through dark days, navigating uncertainty and delivering us to tranquil resolution. From the frenetic energy and hair raising harmony of Chasse Noir to the soothing solemnity of When Quiet Comes, INVITING WORLDS VOL 2 delivers a colorful palette of orchestral virtuosity sure to please any listener who lends an ear.

Bernstein illuminates the story of two rival gangs in New York by juxtaposing a jazz-blues ‘American’ idiom with a more ‘Latin American’ Puerto Rican sound, in which the Cuban mambo and cha-cha, and the Mexican huapango are also integrated.

The Equation of Time is the Charke-Cormier Duo’s third album and their second to feature recital programming that spans various genres and styles. Like their first album, Ex Tempore, it showcases their shared aspiration to play music both old and new, original works and arrangements, to explore the stunning timbral combination of flute and guitar. Also like their first album, The Equation of Time begins with the music of Brazilian-Canadian guitarist and composer Celso Machado. Sambamar, Machado’s second book of music for flute and guitar, is a collection of six dance-inspired pieces with evocative titles. In addition to being the composer, Machado is featured as a percussion performer on all six tracks on this recording.

Composer Anthony Cheung releases All Roads, a follow up to FCR215 Cycles and Arrows. Featuring performances by the Escher Quartet, violinist Miranda Cuckson, soprano Paulina Swierczek, and pianists Jacob Greenberg, Gilles Vonsattel, and Cheung himself, All Roads encapsulates Cheung's penchant for drawing on broad sources of inspiration and filtering them through an incisive and discriminating compositional process to produce substantial, structurally airtight works.