2010 four CD set. Relaxation is the opposite of tension; something the body uses as its defence against trauma of a physical or emotional nature. These four discs of specially recorded relaxation music will aid the quest for tranquillity and calm amid the stains and stresses of modern day life.

Bram Stoker - Cold Reading (2013) {Sunn Creative}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 359 Mb | MP3 @320 -> 130 Mb
Full Artwork @ 300 dpi (png) -> 57 Mb | 5% repair rar
© 2013 Sunn Creative | SUNNC1301
Rock / Progressive Rock

Bram Stoker was one of the first prog rock bands on the music scene in the 1970s, often compared to early Genesis and Yes. The band was formed by Keyboard player Tony Bronsdon in 1969; they soon built up a strong and devoted following at live shows. Playing the Marquee in London, they were supported by a little known band called ‘Queen’. They played regularly in London at The Roundhouse, The Marquee, The Greyhound – Croydon and The Speakeasy. Touring clubs, colleges and University in the UK and Holland they were appreciated by many well known artists of the time and their bootlegged releases became collector’s items.

Album released in Brazil making a collection of some of the great performances of the orchestra and chorus of Bert Kaempfert within a collection dedicated to the best orchestras in the world. Kaempert was always applied to the pleasant music (easy listening), having a performance style that is easily recognizable by its unique sound. This album, along with three of his own creations, households names of great authors as Cole Porter, Louiguy, Neil Diamond or Henry Mancini among others.

Flamenco song and Spanish 'copla' joined in the voice of Rafael A. Salazar (Salamanca, 1923-1995), aka 'Rafael Farina'. He began in early age singing and was in 1956 when he came to release his own show. He was known as the 'Gypsy King'. Along the flamenco singer 'Porrinas de Badajoz' has been considered one of the great singers of the fandango. This double album features a repertoire of 40 fandangos.

As a relentless explorer of the new and unknown, Jean chose five of the most innovative composers alive today to commission for the project. The album’s five new works are: Louis Karchin’s Evocations, John Aylward’s Twin Suspension, Mathew Rosenblum’s Throat, Jeff Stadelman’s wills & wonts, and Yiorgos Vassilandonakis' X-asti. Jean explains some of her motivations for seeking out and commissioning music that breaks new ground, “I keep trying to get wilder in this conservative time. As a child of the ‘60s and ‘70s, I was influenced by a lot of the experimental and theatrical music going on at the time – I like to keep that sense of boundary-pushing alive.”

Crystal Visions – The Very Best of Stevie Nicks is a compilation album (ninth album overall) released by American singer-songwriter and Fleetwood Mac vocalist Stevie Nicks. It features songs from her solo career, as well as her career with Fleetwood Mac. It includes her hit singles, a dance remix, and one new track, a live version of Led Zeppelin's "Rock and Roll".

Frank Sinatra - New York (2009) [4CD+DVD BoxSet] {Reprise}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.28 Gb | MP3 @320 -> 551 Mb
DVD -> 4.47 Gb | All Regions | NTSC 4:3 | English (LinearPCM, 2 ch / Dolby AC3, 6 ch) | ~ 74m | ISO Image
Full Artwork @ 300 dpi (jpg) -> 100 Mb | 5% repair rar
© 2009 Reprise / FS | R2 520602
Jazz / Vocal Jazz / Standards / Traditional Pop

Without argument, Frank Sinatra is the most iconic American singer of the 20th century. This whopping five-disc set issued by Reprise attempts to define Sinatra by capturing performances he made in the place that seemingly defined him, containing 61 never-before-issued tracks of the singer in concert appearances in New York from the mid-'50s through to 1990. It also includes a DVD of a performance at Carnegie Hall, taped in 1980 with 16 more performances, for a total of 77 tracks.

The real prize in this jam packed nine-CD set is of course the incandescent recording of Giulio Cesare with some of the most phenomenal singing on record by Larmore, Schlick, and Fink. When this came out it created quite a stir, given it is about as complete as it ever has been, and filled with Jacob’s searching and trend-setting conducting. While it won’t displace favorites of yesteryear, those recordings are of a different era and style altogether, and here the opera comes together in a manner fully redolent of what Handel must have envisioned.