Andrew Gold is the first album by singer/songwriter/multi-instrumentalist Andrew Gold. It was released in 1975 on Asylum Records. Linda Ronstadt, of whose band Gold was a member at the time, appears on the album.

In the fall of 1978, Neil Young undertook a North American tour with Crazy Horse, then added overdubs to new songs recorded on the tour for one of his best albums, Rust Never Sleeps. In the fall 1986, he did the same thing, but Life, Young's first album with Crazy Horse since 1981's Re-ac-tor, was not one of his best albums. It was, however, better than most of the other albums he had made in the 1980s, and it was the first really interesting album he'd made in a long time…

"Lonely Are The Brave" is Jørn's 5th solo release, brings the essence of classic heavy metal and mixes it with current issues and affairs from the world of today. With many meaningful lyrics of war and suffering, this album is a statement of anger and reflection in times of hardship.

Perth based three-piece Opia have been around for a while, cranking out interesting, atmospheric alternative rock for an ever-growing audience. It takes a full-blown album for a band to truly stretch their musical wings and reach their full potential, and that has been achieved in no uncertain terms on Opia’s debut long player Eon…

With Still Smokin', the Marshall Tucker Band continues the same pattern they initiated with the 1991 release Southern Spirit. Solid, catchy pop/rock and country-tinged tracks like "Frontline," and "Southern Spirit," help to round out a fine selection of tunes that find the band once again cracking into the country Top 40 with "Driving You Out of My Mind."…

Mike Oldfield’s sixth album was a beautiful blend of instrumentals and songs that showed how he was able to adapt to the shifting musical mores of the new decade. Released in October 1980, it features two of his most loved instrumentals, QE2 and Taurus I, as well as cover versions of Wonderful Land by the Shadows and, surprisingly perhaps for the time, Arrival by Abba.

After the success of their first volume Ophélie Gaillard and Pulcinella propose a second disc devoted to Johann Sebastian Bach's most talented and surprising son, Carl Philipp Emanuel (1714-1788). The Sinfonia in C major expresses multiple emotions, ranging from irrepressible suffering in the Adagio to joyous release and insouciance in the concluding Allegretto, tinged with near-Mozartian grace. The Cello Concerto in B flat reveals the influence of the waning Baroque era and Vivaldi in particular.

LSO Live explore the music of America’s most influential living composer with performances of three of his most iconic works: 'Sextet', 'Clapping Music' and 'Music for Pieces of Wood'. Employing Reich’s universally recognisable sound world, 'Sextet' uses hypnotic repetitions of a sequence of harmonies, which gradually overlap and interweave, resulting in a complex yet utterly compelling musical landscape.