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    Willie Dixon – I Am The Blues (1970 [1991 reissue]) 24-bit 96kHZ vinyl rip and redbook

    Posted By: 86ed
    Willie Dixon – I Am The Blues (1970 [1991 reissue]) 24-bit 96kHZ vinyl rip and redbook

    Willie Dixon – I Am The Blues
    Vinyl rip in 24-bit / 96kHZ and redbook | FLAC | no cue or log (vinyl) | artwork
    925 MB (24/96) + 252 MB (RB) | HF,RS,FF | Blues | Columbia PC 9987

    I Am The Blues is a Chicago blues album released in 1970 by the well-known bluesman Willie Dixon. It is also the title of Dixon’s autobiography, edited by Don Snowden. The album features songs written by Dixon and originally performed by other artists for Chess Records. This is the 1991 vinyl reissue.

    Ritual Tension - I Live Here (Fundamental SAVE 049) (UK 1987) (Vinyl 24-96 & 16-44.1)

    Posted By: luckburz
    Ritual Tension - I Live Here (Fundamental SAVE 049) (UK 1987) (Vinyl 24-96 & 16-44.1)

    Ritual Tension - I Live Here
    FLAC | Artwork | 24Bit 96kHz: 750 MB | 16Bit 44.1kHz: 235 MB
    Cat#: Fundamental SAVE 049 | Country/Year: UK 1987
    Genre: Post Punk, Noise Rock | Hoster: Filesonic/Uploaded

    I Live Here is a challenging debut from a band that was somewhat overlooked in the rush to gush over such New York noise scene contemporaries as Sonic Youth, Live Skull and Swans. The links are there, both stylistic and genealogical (Ritual Tension's vocalist drummed on Greed and Holy Money), but this quartet writhes to its own noisemaker…

    Big Bill Broonzy – S/T (Treat Me Right) (1967) 24-bit 96kHZ vinyl rip and redbook

    Posted By: 86ed
    Big Bill Broonzy – S/T (Treat Me Right) (1967) 24-bit 96kHZ vinyl rip and redbook

    Big Bill Broonzy – Big Bill Broonzy
    Vinyl rip in 24-bit / 96kHZ and redbook | FLAC | no cue or log (vinyl) | artwork
    652 MB (24/96) + 158 MB (RB) | HF,RS,FF | Blues | Archive Of Folk & Jazz Music FS213

    Like so many great American artists, especially those in blues and jazz, Big Bill Broonzy fled to Europe when times got tough stateside, and was duly accorded the respect he deserved. TREAT ME RIGHT contains some of his earliest recording after his 1951 trip across the pond. A number of the tracks included here are classics he’d been playing for some time, but they were new to listeners in France, where the album was first released. The title, which is a play on the tune “Treat Everybody Right,” can be seen in retrospect as a plea for understanding from the man who’d left his homeland in search of artistic succor. There are solid renditions of such chestnuts as “See See Rider” and “Baby Please Don’t Go,” and it’s easy to imagine the thrill of discovery the European audience must have felt digging into the rich loam of blues history that was Big Bill Broonzy.