Georg Solti was a Hungarian conductor known for his work with the Chicago, London, and Paris Symphony Orchestras. During his more than 50 years in the classical music industry, he recorded more than 40 operas and made more than 250 recordings with the Chicago Symphony Orchestra. Solti was influenced and taught by some of the most well-known composers and conductors in the industry, including Béla Bartok, Leo Weiner, Zoltan Kodaly, and Ernst von Dohnanyi. Richard Strauss was one of his favorite composers; on the composer's 85th birthday, Solti performed Der Rosenkavalier.

As in its Schubert recording in 2018, the Quatuor van Kuijk likes to delve into a composer's youthful output and then measure his evolution by confronting it with his mature works. Hence, after recording two of Mozart's early string quartets in 2016, the French group, here joined by violist Adrien La Marca, voted Revelation at the Victoires de la Musique Classique in 2014, now offers the String Quintets K515 and K516.

Alexandre Bloch, who has been Music Director of the Orchestre National de Lille since 2016, has chosen to devote a whole season of concerts to Mahler's symphonies. The Seventh (1904-05) is the most rarely recorded of the cycle unjustly, because this work later nicknamed Song of the Night testifies as clearly as its companions to the metaphysical grandiloquence that haunted Mahler during its gestation. From the gloomy Adagio of the first movement to the thundering Rondo that concludes the work, Alexandre Bloch and his orchestra lead us from the anguish of twilight to the ecstasies of dawn.

In the winter of 2019, Bob Mould bucked the era’s despair with his most melodic, upbeat album in ages, Sunshine Rock. Cut to spring of 2020, and he has this to say: “We’re really in deep now.”

Fascinated by the viola, which he chose at the age of eleven after learning the violin for six years, Amihai loves the sound of his instrument, which is so close to the human voice. He also likes the ambivalence of its timbre, midway between the violin and the cello, which in a sense reflects his own musical education in Israel, with its combination of Mediterranean influences and Russian and Germanic traditions. Initially a quartet musician and founding member of the famous Jerusalem Quartet, Amihai Grosz now pursues a solo career while holding the post of principal viola of the Berliner Philharmoniker.

Georg Solti’s readings of Wagner’s great operas are among the most thrilling experiences on record. The evenness and strength of the cast is balanced with the brilliance of the Wiener Philharmoniker and recorded with the renowned Decca clarity and richness with productions given the revered Decca/Minshull touch.

Harmonica player Sondre Ferstad releases his second album in his own name, and this is celebrated with a release concert at Dokkhuset the same day! With him he has three fantastic musicians who together constitute a nuanced and responsive chamber musical ensemble.

Having released their debut album In motion in 2020, the musicians that make up United Strings of Europe (USE) return with another innovative program: Renewal.

“Into the Oceans” is the second creation of this modern and melancholic band, and it expands the boundaries of alternative metal with a refined precision, entwining with a melodic rock, grunge, and nu metal. And all is covered in a thick layer of atmospheric honesty…

Martin Taylor's star rose considerably during the 1990s with a flurry of recording activity as a leader, especially dates such this one from the series he did for the Scottish label Linn. With a rhythm section of pianist David Newton, bassist Brian Shiels, and drummer John Rae, the guitarist's program is wide-ranging and has some surprises…

In 1975, there was an album that quietly vanished after pressing only 50 copies without a cover. This album was recorded by Snakes Alive and released by themselves. Their self-titled album contains an exquisite combination of progressive rock and jazz rock, also its high quality easily showed the magnificent talent of the members…

An old soul in a young body, Dan Nimmer plays with the spirit, the passion and the soul of someone who has been on the planet much longer. With prodigious technique and an innate sense of swing, his playing often recalls that of his own heroes, specifically Oscar Peterson, Wynton Kelly, Erroll Garner and Art Tatum. For this debut release for Japanese Venus Records he is joined by David Wong on bass, and Pete Van Nostrand on drums. Selections include "Corcovado", "No Problem", "Ease It" and the title track.

Ultimately, The Train ends up fitting the description of the “mixed” rating to a tee. Aesthetically, the record is beautiful and just about nails the sound for which it is shooting…

A Hundred Thousand in Fresh Notes is the third and final studio album from the British duo Wax, released in 1989. The majority of the album was produced by Peter Collins, with four tracks produced by members Andrew Gold and Graham Gouldman…