A stunning album of looped Frippertronics and electronics, in the vein of the classic Fripp & Eno No Pussyfooting collaboration. Recorded live from a past life. Awash in the hypnotic looping structures of Robert Fripp's guitar soundscapes, Jeffrey Fayman adds an opulent cinematic brilliance to the proceedings, creating an intense and dramatic vision of a future rich in the heritage of Fripp's past. Nine years in the making, A Temple In The Clouds is a unique collaboration between one of rock's most important and influential guitarists and a contemporary cinematic composer. Fripp's contribution of two hours worth of treated guitar work (his trademark "Frippertronics") formed the basis for Fayman's layering of interwoven electronic soundscapes.

BEBO BEST aka The Alchemist Bebo Baldan, producer, musician, film composer, arranger and multi-instrumentalist (bass, percussion, drums, sitar, guitar & keyboards) has worked on over 300 albums, and many soundtracks for films and TV, and has international recognition for the wise and original use of electronics and ethnic music that distinguished his works. His collaborations with such personalities as Gilberto Gil, Moni Ovadia Jon Hassel, Steven Brown, Steve Reich, Michael Nyman, Wim Mertens, Nitin Sawhney, Trilok Gurtu, Sinead O' Connor, David Torn, Ruichy Sakamoto, Frank Zappa, the American violinist Stephen James (Ravi Shankar, Bill Laswell), and guitarist David Torn (David Sylvian, Jan Garbarek, Don Cherry) has allowed him to explore ethnic and non-European types of music, an original Mediterranean formula influenced by jazz, traditional and warm electronic music.

"This Cd has been classified as a must hear. Needless to say this album is a top notch product. Todd Griffin succeeded in standing out of the crowd! He is Lifting his songs to rare heights and he does so without frills. Just pure, almost naked, but close to perfection." Todd Griffin is an American musician and a former member of The Graveyard Train. He is currently pursuing a solo career and has also gained fame as the singer to the first version of the theme song to the popular American television series That 70s Show.

Between 1995 and 2004, Detroit saxophonist James Carter released several conceptual discs: a salute to Django Reinhardt (Chasin' the Gypsy), electric-era Miles Davis (Layin' in the Cut), jazz ballads (Real Quiet Storm), and a lush Billie Holiday tribute (Gardenias for Lady Day). With the release of each disc, the unavoidable question remained: would Carter ever put out another straight-ahead session in the vein of his early-'90s recordings JC on the Set and Jurassic Classics? Happily, Live at Baker's Keyboard Lounge makes up for lost time. Carter and an amazing array of musicians took flight for three nights in June 2001 at Baker's in Detroit, featuring guest appearances by David Murray and Johnny Griffin alongside fellow Motor City natives Franz Jackson, Kenny Cox, Dwight Adams, Larry Smith, and Gerard Gibbs.

Unknown Italian sacred and instrumental music of the 18th century from Naples: The Abchordis Ensemble interprets the Lectio VIII Defunctorum (for soprano, two violins and basso continuo) by Gennaro Manna (1715-1779), and the symphony by Aniello Santangelo (18th century) in F (for two violins, viola and basso continuo) and the Stabat Mater (for four voices, with violins, violetta and basso continuo) by Giacomo Sellitto (1701-1763). An equally melodious and virtuoso music, sometimes attractively chromatically charged. Musical examples of the incredible cultural diversity in Naples in the 18th century. The Abchordis Ensemble was founded in 2011 by ten musicians of various nationalities, with the aim of rediscovering and bringing to light today unpublished or under-performed music. The vocal and instrumental ensemble dedicated themselves above all to church music in 17th and 18th century Italy.