Karajan’s Deutsche Grammophon complete recordings is recorded on chronological order. From the “Magic Flute” overture of the 1938 recording used as first recording to the recording of the last in 1989, and the Symphony No.7 of Bruckner. There is no selling separately. It becomes ordering limited production.

Volume 2 of EMI's comprehensive Herbert von Karajan centenary edition gathers virtually all of the conductor's operatic and vocal output for the label in one place, taking up 71 CDs (Disc 72 contains complete librettos in the form of PDF files). I use the word "virtually" because the package omits four posthumously issued archival items taped live during the 1957-60 Salzburg Festivals (Beethoven's Missa solemnis, Brahms' German Requiem, Bruckner's Te Deum, and Verdi's Requiem). Otherwise, it's all here.

To celebrate what would have been Herbert von Karajan's 100th birthday on April 5, 2008, EMI has gathered together all of the conductor's recordings for the label in two super-budget boxed sets. Volume 1 weighs in at an imposing 88 discs and focuses on orchestral repertoire (the second volume consists of vocal and operatic works). The first nine discs encompass Karajan's EMI Vienna Philharmonic sessions…

Cover album of the italian version of various anime songs.

Inquisition have announced that the rare official live bootleg, Demonic Ritual In Unholy Blackness. It was recorded live in Padua, Italy, on September 25th, 2010 .

These works, and this recording, work for me. Listening to Korngold's Op.1, you'd never suspect he was 12 years old when he composed it. It's the work of a mature composer, albeit one who would go on to find more of his own voice. But that's the case with all great artists of course. And Zemlinksy's works are always ingenious and rewarding. The professional relationship between these two composers makes the relationship between these two trios all the more interesting. As usual, the Beaux Arts Trio plays impeccably and Philips has created a magnificent recording.