Paquito D'Rivera's alto and clarinet skills were ably displayed on this session, which featured him working in Afro-Latin, salsa, funk, swing and hard bop. Compositions ranged from intense, jam-flavored numbers with torrid solos, like "Recife's Blue" and the title tune, to introspective ballads, group pieces with rhythmically explosive sections and numbers displaying classical influences. The unifying force was D'Rivera, who also played tenor, but was most prominent on clarinet, doing both swing-oriented and looser, freer solos. While not as strict a jazz vehicle as his Columbia dates, this session presented a more eclectic, versatile Paquito D'Rivera.

But when they added Benoît Delbecq the music became something else again. François Houle explains: “As Benoît and I were looking at opportunities for the duo [established in 1996], Ken Pickering [Vancouver jazz festival artistic director] suggested we merge this with the trio collective [formed in 2014, though its members have been performing in different Grdina groups since around 2004]. Knowing how Benoît’s playing fits into so many different configurations, I thought this would work nicely. I suggested he bring his bass station to augment the lower end of the quartet.” Two performances at the 2015 festival led to a return engagement in 2016 followed by a day in the studio. “The whole session unfolded quite spontaneously, with hardly any discussion between takes. Gord suggested we play my piece ‘Soro’ as he knew Benoît’s affinity for African rhythms in his piano approach.

Schizophrenia is the second studio album by Brazilian thrash metal band Sepultura, released on October 30, 1987 by Cogumelo Records. It is the first album for the band with Andreas Kisser. The album's sound leans more towards the death/thrash metal genre than the previous album Morbid Visions, which is stylistically closer to black metal. All songs were recorded during August 1987, except for the bonus track "Troops of Doom" which was recorded during August 26–27, 1990.

This group, composed of François Thuillier (tuba), Jean-Louis Pommier (trombone) and Christophe Lavergne (drums), could be the embryo of a fanfare. It is not. Resolutely acoustic, beyond the borders of jazz, it opens up to the music of today. Adventure, risk-taking, complicity, these are the key words that could define the functioning of a formation both unusual and captivating.