Born in Bay City, Michigan, Patrick Yandall found his luck in San Diego and L.A., where he has established himself as session musician. His album was recorded at MoBops studios San Diego and was edited and mastered at A.M. studios in L.A. This outstanding musician has performed all instruments of his album himself and with the exception of two songs he has also written and composed all tracks.

Singer Phyllis Nelson recorded the dance classic "I Like You" on Carrere Records. It was a huge dance hit for the Philadelphia vocalist, charting number 65 R&B in late 1985. "Move Closer" and "Don't Stop the Train," among others. Her son, Marc Nelson, was a pre-stardom member of Boyz II Men, had a 1991 number 26 R&B hit with "I Want You," and had a 1999 Columbia album, Chocolate Mood.

Nappy Brown is one of the great voices in American music. He makes a triumphant return with an album that swings with the same soulful authority that he exhibited on his hits of a half-century ago. Inspired by stellar backing from musicians including Sean Costello, Junior Watson, and Bob Margolin, specifically chosen for their ability to capture the sound and feel of American music in its heyday, Nappy brilliantly recreates his classic songs, including his signature tune, "Don't Be Angry," and "The Right Time," a song later associated with Ray Charles.

After the relatively straightforward pop of Wish, the Cure moved back toward stranger, edgier territory with Wild Mood Swings…

If Day at the Races was a sleek, streamlined album, its 1977 successor, News of the World, was its polar opposite, an explosion of styles that didn't seem to hold to any particular center. It's front-loaded with two of Queen's biggest anthems – the stomping, stadium-filling chant "We Will Rock You" and its triumphant companion, "We Are the Champions" – which are quickly followed by the ferocious "Sheer Heart Attack," a frenzied rocker that hits harder than anything on the album that shares its name (a remarkable achievement in itself)…

On his second release as A Hawk and a Hacksaw, Neutral Milk Hotel's Jeremy Barnes continues to play the antique card, now focusing on the "ompah" accordion sound of an 18th century European village, as opposed to the Reconstruction-era American village of his previous effort. Of course, just because Barnes evokes a certain time and place doesn't mean his hectic musical ear stays in that one place, hence the squeezebox that morphs into a battery of bagpipes on the highly cinematic opener, "Laughter in the Dark." There's also room for a prideful horn that echoes the work of Ennio Morricone and the constant pitter-patter of castanets and marching snares that ensure that the solemn moments like "For Slavoj" and "Europa" don't stay that way for too long.

Lars Winnerbäck - Granit och morän (2016) {Sonet-Universal 060254791018}
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© 2016 Sonet / Universal Music | 060254791018
Acoustic / Pop Rock / Singer-Songwriter / Folk Rock

What happens on the other side a discharge? At Lars Winnerback last album "Hosanna" alerted his equally angry sorrowfully through an industrial gray, hard and disillusioned Sweden. Even when he played acoustic guitar could be heard as it was steel-stringed and played with vitspända fingers. "Hosanna" was seventeen years after his debut, perhaps his most solid cast and the best works. "Granite & till" is something else. Set might be otherwise. A quiet drive on E4 between, say, Jönköping and Gränna a Sunday in late September. Radiosporten blasts in some Dire Straits between a pair of series trot matches in Superettan and a gentle rain begins to patter against the roof. All is well as the right bit boring, but not at all in a particularly negative way. Frederiksen sings even if the tour life - often a sign for ideas - but actually makes it to an otherwise rarely seen, relaxed humor.

Recorded in April 1972, "A Story Ended" was the debut solo album by Colosseum saxophonist Dick Heckstall-Smith. Recorded upon the demise of Colosseum, the sessions featured contributions by Jon Hiseman, Mark Clarke, Chris Farlowe & Dave Greenslade of the band, along with Graham Bond (of whose Organization Dick was a member alongside Jack Bruce & Ginger Baker), Chris Spedding and lyrical offerings from Pete Brown. A superb example of Jazz influenced Progressive rock, the album appeared on Bronze Records in 1972 and is now hailed as a classic of the genre.

Time is a studio album by Rod Stewart, it was released on 13 May 2013 in the UK and May 7, 2013 in the US and Canada. The album entered the UK Albums Chart at No. 1, setting a new British record for the longest gap between chart-topping albums by an artist.