Published posthumously in 1714, the Concerti Grossi by Arcangelo Corelli (1653-1713) became, in a very short time, one of the 19th century's most popular instrumental collections, much admired and imitated both in and outside Italy. For a long time these works were considered a perfect example of noble and marmoreal classicism; this fiery and colourful interpretation given by the Alessandro Stradella Consort led by Estevan Velardi, however, restores them to their deserved position within the process of renovation which European music was then undergoing, a process that indeed started in Italy.

Witness OVERKILL’s 18th album of blistering yet precise and thought-provoking thrash magic, »The Grinding Wheel«, a record on which thrash’s ultimate team of five machined parts shows up and executes to perfection… with a little punk thrown in for bad measure.

Charlie Sepúlveda is trumpeter of power and nuance. On this recording, Sepúlveda takes on the challenge of preserving culture without being trapped by it.
He can take a tried-and-true classic like "Besamé Mucho," and instead of falling into the routine he completely modernizes it, stripping the tune of his sometime over-emphasized bolero rhythm and makes something completely new and communicative.

Born in Bordeaux, Vincent Bourgeyx began studying piano at the age of 7. After studying musicology at Bordeaux University, he went to Berklee College of Music in Boston for 4 years where he participated in Master Classes with Jane Ira Bloom, and at the International Association of Jazz Educators in 1998 and 2001. Vincent Bourgeyx became the first student to win the famous Billboard magazine prize as a soloist.