Hungária was a Hungarian pop-rock group that was established in 1967 by Miklós Fenyő and disbanded in 1982. Some of the members then continued their work in Dolly Roll. After 1983 the band was reformed under the name Modern Hungária. In the late 1960s they mostly played beat and psychedelic rock, around 1970 they moved towards hard rock, and in the 1980s a new line up with the original lead singer, Miklós Fenyő performed rockabilly and rock and roll songs. In 1968, they won in Hungarian competition with their song Nem bújok én már többé már a subába. In the mid-1970s, the band performed in Eastern Germany. In 1978, Hungária recorded and album with cover versions of Beatles songs. In March 1982, they held a concert at Népstadion in front of 150,000 people.

Conceived in the depths of a Thomastown water mill, Deep Down Detox, is a raucous troupe of musical misfits blending blues, soul, funk and country into a highly danceable, incendiary mash-up!

Género Chica de Diana Navarro, es un disco en el que la artista nos ofrece su particular visión de un género musical como es la Zarzuela, y con el que cierra una trilogía sobre la investigación y fusión de algunas de nuestras músicas con más raíz. Este proyecto dió comienzo con su disco Camino verde (Copla - 2008), continuó con su anterior trabajo de Flamenco (2011) y se cierra con este "Género Chica" (Zarzuela), un género que aún siendo anterior a los otros dos engloba todo a la vez, la similitud en letras, melodías y armonías, que junto con la grandeza del sonido y un concepto de producción sinfónico y lirico gracias a la maestría y dirección musical de Miguel Angel Collado.

Vivaldi's violin concertos, of which some 500 appear to be extant, were first written to showcase the composer's virtuosity on the violin, and so it is no wonder that this small selection of four concertos puts Monica Huggett in the limelight, her sweet violin tone generally dominating proceedings, although not altogether to the exclusion of the London Vivaldi Orchestra and its leader Roy Goodman.

Released in 1980, Hideaway earned David Sanborn fame beyond that of the average studio musician, and rightfully so. Many releases by studio musicians suffer from weak compositions and overproduction, including some albums by Sanborn himself. However, Hideaway features a stripped-down, funky sound that showcases the artist's passionate and distinctive saxophone sound. This includes two tunes co-written with Michael McDonald and the "love theme" from the motion picture American Gigolo, appropriately entitled "The Seduction." All eight tunes on Hideaway are winners.

Alexis Weissenberg is the ultimate shaker and mover of pianists, a Tamburlaine of the keyboard who deploys his force and cunning with a hypnotic verve and controlled fury… Weissenberg’s Scarlatti is superb. His musical quality may be less apparent when the virtuoso heat is on yet there is no denying his strikingly inflected brilliance… he remains among the most powerful and compulsive voices in twentieth-century pianism.

A Change of Heart is a fairly typical '80s outing by the popular R&B-ish altoist David Sanborn. The main difference from his past work is that the music often uses synthesizers and electronic rhythms to a greater degree than it had previously, but Sanborn's distinctive crying sound was still very much intact. The music is produced by Marcus Miller ("Chicago Song" and "Imogene"), Michael Colina, Ronnie Foster or Philippe Saisse; each of the producers plays keyboards and is responsible for the backgrounds behind the leader.