Long May You Run is not a Neil Young solo album. It is credited to "The Stills-Young Band," which is to say, Stephen Stills and his band with Young added, and the two divide up the songwriting and lead vocals, five for Young, four for Stills. The pairing, though it proved short-lived and had, in fact, ended before this album was released, must have seemed commercially logical…

This set, recorded at New York City's Bottom Line in September of 1978, is a wonderful example of the Pat Metheny Group onstage at this early stage, shortly after the release of their debut album. Not surprisingly, the set includes material from that album, but also explores older and side project material in the context of this quartet, as well and a couple of key compositions destined for the group's follow-up, American Garage. As such, this set serves up a fine example of what drew attention to this group in the first place and will be illuminating to anyone interested in this relatively early stage of Pat Metheny's career as a performing musician.

MOZART 111 combines the best of the Austrian master's music with the best of Deutsche Grammophon's Mozart recordings, bringing together a total of 111 works, while retaining, as far as possible, the original album releases with their cover art. There's enough of everything here to stock a shop, as they say, in performances that have stood the test of time and performances that make you sit up and listen to Mozart afresh the perfect way to discover, rediscover and savor the incomparable genius of Wolfgang Amadeus Mozart.