If you set out to create a single anthology that charted all the twists and tributaries of that uniquely American river we call jazz, you couldn't do better than this companion set to the PBS series-94 tracks on 5 CDs licensed from virtually every important label in the history of the music. Includes The Pearls Jelly Roll Morton; Charleston James P. Johnson; West End Blues Louis Armstrong & His Hot Five; The Mooche Duke Ellington; Singin' the Blues Frankie Trumbauer & His Orchestra featuring Bix Beiderbecke; Moten Swing Benny Moten's Kansas City Orchestra; Strange Fruit Billie Holiday; Three Little Words Art Tatum; Body and Soul Coleman Hawkins; In the Mood Glenn Miller; Take Five Dave Brubeck; So What Miles Davis; Giant Steps John Coltrane; Desafinado Stan Getz & Charlie Byrd, and many more classics.

That’s BEHEMOTH mastermind Nergal talking about the title of the band’s 11th and latest album, »I Loved You At Your Darkest«. While it certainly seems an unlikely title for a black metal band—especially one that called their last album »The Satanist«—its origin might surprise you even more than the words themselves. “It’s a verse from the Bible,” Nergal reveals. “It’s actually a quote from Jesus Christ himself. For BEHEMOTH to use it as the basis of our record, it’s sacrilege to the extreme.” Lyrically, »I Loved You At Your Darkest« revels in the kind of religious provocation that BEHEMOTH do best. “It’s very religion-driven, maybe more than anything we’ve done before,” Nergal offers. “But it’s not just cheap goading. I believe this is some deeper metal language. It’s art.”