This is the Atlanta Symphony Orchestra conducted by Louis Lane 'Respighi: Pines of Rome; The Birds; Fountains of Rome' released on Telarc Records in 1985.

Here is a compilaton album of some of the tracks released on various earlier Clifford T. Ward albums and this was issued in 1992 on Virgin Universal. Probably many of you looking at this listing have never even heard of Clifford T. Ward and I am not really surprised by that all too much. He really has become somehwhat of a forgotten British artist only known briefly from his work in the '70s.

Palto Flats and We Release Whatever The Fuck We Want Records present the highly-anticipated reissue of Japanese percussionist Midori Takada’s sought after and timeless ambient/minimal album Through The Looking Glass, originally released in 1983 by RCA Japan. Considered a holy grail of Japanese music by many, Through The Looking Glass is Midori Takada’s first solo endeavor, a captivating four-song suite capturing her deep quests into traditional African and Asian percussive language and exploring contemplative ambient sounds with an admirably precise use of marimba. The result is alternatively ethereal and vibrant, always precise and mesmerizing, and makes for an atmospheric masterpiece and an unparalleled sonic and spiritual experience. Midori Takada is a composer, multi-percussionist, and theater artist renowned in Japanese vanguard circles.

Glenn Roth is an acoustic guitarist that has been making music on his own for more than a decade now He is based out of New Haven, Connecticut. Original and in innovative in fingerstyle guitar music, influenced by a wide range of music such as Michael Hedges, Leo Kottke, Eddie Van Halen, Tommy Emmanuel, Trey Anastasio, Tool and 311. Roth has the consistent ability to grab and hold his listener’s attention with his energetic, original fingerstyle compositions.

Warhorse's second album was basically more of the same prog rock-proto metal. Sometimes it sounded a little more mainstream rock, as on "Confident But Wrong" or the cover of the old soul ballad "I (Who Have Nothing)." Ashley Holt was tending to hit more annoying high notes, though; the warbles on "Back in Time," for instance, were unconscious models for the kind of singing so ably parodied by Spinal Tap…

This is the 1990 EMI Angel release 'Richard Strauss - Hornkonzerte' played by English Chamber Orchestra led by Jeffrey Tate and featuring soloists Radovan Vlatkovic (horn) and Ann Murray (mezzo-soprano).