Bernstein leads the Wiener Philharmoniker and the Royal Concertgebouw Orchestra through Mahler's Symphonies Nos. 8-10 and Das Lied von der Erde . Special highlight: the breathtaking vocals on Symphony of a Thousand !

Bernstein conducts Mahler's Symphonies Nos. 5-7; Ruckert Lieder, and Kindertotenlieder with the New York Philharmonic and the Wiener Philharmoniker. Nobody interprets Mahler like the brilliant Bernstein!

Japanese Symphonic scene is pretty fertile but not in the classic style we are used to, instead they have a more eclectic approach that blends our beloved sub-genre with Fusion and Neo Prog influences, it's very common to find female vocalist as in two of their most representative bands like TERU'S SYMPHONIA and MAGDALENA, both leaded by the fabulous Megumi Tokuhisa, the perfect balance between the operatic sound of Annie Haslam and the beautiful but less elaborate vocals of Kate Bush…

Folk, Country and Roots band. Debut album release 9th of may at Minard Ghent. Follow our adventures here. Ashling derives from aislinge an old Irish word which means “a vision” or “a dream".

RSO is a collaboration between guitar virtuosos and hard rock power couple Richie Sambora and Orianthi Panagaris. Sambora spent 30 years as the lead guitarist for stadium rock icons Bon Jovi, and also enjoyed a successful solo career, while Australia-born Orianthi first caught the public's attention as the lead guitarist for Michael Jackson's This Is It tour before starting her own solo venture and collaborating or performing alongside a wide array of artists, including Steven Tyler, Prince, Santana, Steve Vai, Alice Cooper, and Lacey Sturm, among others.

The Glitch Mob have been kicking it in this scene for quite some time, and have garnered one of the most loyal followings in dance music in their more than a decade as a group. The trio released their first album Drink The Sea in 2010, followed by Love Death Immortality in 2014. Now, four years since their last offering, The Glitch Mob have announced their third studio LP See Without Eyes, along with the lead single from the album, “How Could This Be Wrong.”

To round out this 3-CD set, the final disc contains the original album presentation featuring Silvestri's unique edits and assemblies including some dialog omitted from the complete presentation on the first two discs.

Having mastered one of metal’s angriest subgenres, Parkway Drive just got even heavier. Reverence, the Australian metalcore legends’ sixth album, picks up where 2015’s expansive, exploratory Ire left off. Rather than racing ahead with faster BPMs and ear-splitting shrieks, the band dig deeper—led by Winston McCall’s monstrous growls—to cataclysmic theatrical effect. Acoustic guitars, synths, and sinister spoken word add melodrama to “Wishing Wells” and “Cemetery Bloom,” and “The Void” packs a punch with thrilling, harmonized power-metal solos. After 15 years, Parkway Drive aren’t just relevant: they’ve still got plenty of pulverizing tricks up their sleeves.

NWOBHM (New Wave Of British Heavy Metal) veterans BLITZKRIEG released their new album, "Judge Not!", on April 27 via Mighty Music. The follow-up to 2013's "Back From Hell" was recorded at Downcast Base HQ in Newcastle, U.K. by Phil Davies, but the band elected to use a different studio this time around for mixing. Because the BLITZKRIEG members all admire the work of Denmark's Hansen Studios, most notably the mix of the PRETTY MAIDS' "Pandemonium" album, they enlisted Jonas Haagensen from Hansen to mix "Judge Not!