In 2016, Austrian guitarist and composer Wolfgang Muthspiel released the widely celebrated quintet offering Rising Grace as his sophomore effort for ECM. Its meditative – and sometimes oblique – compositions were riven with smooth, percolating grooves and an intelligent, canny conversation among the players, thanks in no small part to the musicians recording live in the same room. Muthspiel returns to the same French studio with three of those sidemen – pianist Brad Mehldau, trumpeter Ambrose Akinmusire, and bassist Larry Grenadier – with Eric Harland replacing Brian Blade on drums. Just as on Rising Grace, Muthspiel penned all but one of these eight tunes, with "Blueshead" composed by Mehldau. The guitarist uses electric and acoustic instruments in tunes that reveal the conversational m.o. of this band…

Tenorist Mark Turner and pianist Ethan Iverson, two resplendent titans of the current jazz scene, join forces for an intimate outing. Temporary Kings aggregates nine compositions - six by Iverson, two by Turner and one by Warne Marsh - that, besides bristling with competence, allow for space, reflection, and expansion…

German pop band from Hamburg; 1985-1996. The band was innitially called "The Real McCoys" but their name has been changed to "The Jeremy Days" in 1988.

After working with power pop hero Mike Chapman on Stiletto, Lita Ford switched producers on Dangerous Curves and joined forces with another in-demand studio ace, Tom Werman. The result is a decent collection of slick, commercial hard rock that isn't much different from its predecessor…

In the 1980s, the often-repeated joke about Kingdom Come was that the band should have called itself "Kingdom Clone" because it was nothing more than a shameless clone of Led Zeppelin. And, to be sure, the headbangers' Zeppelin worship was so slavish in the '80s that its albums were totally devoid of originality…

Sonic inspirations from late 60's psych music and early 70's heavy rock with a great dose humour. The music is largely dominated by epic Hammond organ sequences and fuzzing guitar sections…

A Japanese symphonic jazz rock combo Ptf (officially ptf, written in lower-case letters) were founded as a quartet by Keisuke Takashima (violin), Takeya Kito (keyboards), Hiroyuki Ito (bass), and Yusuke Seki (drums) in 2009. Gained musical experience through lots of gigs mainly around Tokyo quite inspired by 70s progressive rock, jazz rock, and heavy metal scene (according to what Keisuke says), finally their debut album "percept from …" was released in February 2013 via Musea Records.

Perverseverance is the 7th full length album after nine years of active life and playing. It finds LIVIDITY on a quest for world domination. It´s a music with deep impact on human mind. The stories are shocking, majestic and disturbing compositions from the first note to the last one. This will be the ultimate shock album for the masses. "This is the album we have been striving to create our whole lives! Every riff, beat and pattern has meaning! A little slice from each album within each song! The perfect combination of grooves, grinds and breakdowns that will melt faces complimented with great studio production… We are very proud of this album!"