This 1992 release features Holdsworth in conversation with usual compatriots Jimmy Johnson, Chad Wackerman, and Gary Husband. Keyboards are provided not only by Steve Hunt, but also by both Wackerman and Husband. Husband in particular demonstrates that his facility on the keyboards is equal to his skill on the drums. Despite the all-star cast of characters, there are certain peculiarities to Wardenclyffe Tower that prevent it from being numbered among Holdsworth's best work.

The Hamburg-based musician Frank Us looks back on a long musical career. He played in a few local bands before turning music into his profession, successfully composing jingles for products and companies. His secret love is and has always been the progressive rock that had the biggest musical influence on him. Frank Us and his friends have created a debut album that delivers an enormous bandwidth and that was clearly inspired by the golden era of progressive rock. Bands like ELP, Genesis, Marillion, UK, Yes, Rush, the early Queen or King Crimson were the influences that cemented Frank's love for this genre…

Il trionfo del Tempo e del Disinganno is a landmark in baroque music. It is Handel’s first oratorio, product of his astonishing flowering in Italy in his early twenties, suffused with the youthful vigour and virtuosity of his early works. The libretto, by the well-connected Benedetto Pamphili, is a highly crafted composition drawing on a rich mix of artistic forebears. It is both moral-religious allegory dramatized in music, and a pattern book of human psychology. This is the second disc for Hyperion from Academia Montis Regalis, who drew great acclaim for their recording of Stradella’s San Giovanni Battista.

Coming on the heels of some rather mediocre efforts, The Sixteen Men of Tain is startlingly superb. Holdsworth has stripped away the distracting banks of keyboards and allowed his soaring, gliding guitar to shine through in a way it hasn't since the 1980s. Even the Synthaxe, Holdsworth's signature guitar synthesizer, sounds organic and immediate, not to mention far less prevalent than on previous albums. Dave Carpenter's acoustic bass is a radical departure (check out his solo on the title track), as are Walt Fowler's two guest appearances on trumpet. "The Drums Were Yellow," a burning guitar/drum duet tribute to the late Tony Williams, is also a first. Gary Novak's drumming is appropriately complex and riveting on this and six other tracks.

A Momentary Lapse of Reason is the thirteenth studio album by the English progressive rock band Pink Floyd. It was released in the UK and US on 7 September 1987 by EMI and Columbia. It was the first Pink Floyd album since the departure of bass guitarist, singer, and songwriter Roger Waters in 1985. Unlike many Pink Floyd albums, A Momentary Lapse of Reason is not a concept album and is instead a collection of songs written by guitarist David Gilmour, sometimes with outside songwriters. It followed Gilmour's decision to include material recorded for his third solo album on a new Pink Floyd album with drummer Nick Mason and keyboardist Richard Wright.

Road Games is an EP by guitarist Allan Holdsworth, released in 1983 through Warner Bros. Records originally on vinyl only; a CD edition was reissued through Gnarly Geezer Records in 2001, although to this day Holdsworth claims to have received no royalties from either release. He has also named it as one of his least favourite recordings, due to numerous creative differences with executive producer Ted Templeman. It nonetheless received a nomination for Best Rock Instrumental Performance at the 1984 Grammy Awards.